Alphonse Daudet Ordre des livres

Set against the contrasting backdrops of Paris and India, the novel explores the cultural clash between the aristocracy and the newly wealthy amid colonialism's complexities. Through sharp satire, Daudet critiques the superficiality and hypocrisy of the aristocratic class while highlighting the allure of wealth and the exoticism of India. The characters navigate power, privilege, and identity, revealing the tensions that arise from cultural collisions. This thought-provoking narrative offers a rich exploration of social dynamics during a tumultuous era of colonial expansion.

This edition focuses on making historical works accessible to individuals with impaired vision through large print. The publishing house Megali is dedicated to preserving and reproducing these important texts, ensuring that they remain available to a broader audience.

This publication focuses on making historical works accessible by utilizing large print formats, catering specifically to individuals with impaired vision. Megali, the publishing house behind this initiative, is dedicated to preserving and reproducing significant texts while ensuring readability for all.

When republican revolution comes to the kingdom of Illyria, King Christian and Queen Frederique, their young son Zara, and a small retinue of the abandoned court escape to Paris. They set up home there in much reduced, but still elegant, circumstances. Christian is a devotee of pleasure, while Frederique is staunch in her desire to maintain not only royal standards, but their effort to regain their throne. Christian descends into Paris' pleasure pits and seeks only passing joys, while Frederique determinedly schemes for restoration. Only now will the real import of their vividly contrasting personalities come into focus. Trapped in the arms of a deceptive mistress, badly in debt, and imperfectly committed, Christian is asked to lead a counter-revolution - with disastrous results. With all hope of restoration gone, can their marriage survive? Alphonse Daudet masterfully charts this course to disaster with lyric colour, bitter melancholy, and an undertow of passion. This fascinating exposure of the regal and the rotten was first published in 1879.