Exactement cet exemplaire ira dans le panier
En savoir plus sur le livre
Valentine, the troubled daughter of a well-off but dysfunctional Parisian family, vanishes on her way to school. Inexperienced private detective Lucie Toledo is hired to find the missing teenager, and enlists the help of a formidable agent with a past, known to her friends as the Hyena. Their quest, from Paris to Barcelona and back, uncovers a rich cast of characters whose paths have crossed Valentine's, leading to an alarming climax. Part political thriller, part road-movie, part romance, the latest novel by subversive writer and film-maker Virginie Despentes won the Prix Renaudot 2010 for the pitiless gaze it directs at society in the age of the internet.
Achat du livre
Apocalypse Baby, Virginie Despentes
- Langue
- Année de publication
- 2012
- product-detail.submit-box.info.binding
- (rigide),
- État du livre
- Bon
- Prix
- 4,79 €
Modes de paiement
Il manque plus que ton avis ici.
- Titre
- Apocalypse Baby
- Langue
- Allemand
- Auteurs
- Virginie Despentes
- Éditeur
- Berlin Verlag GmbH & Co. KG
- Publié
- 2012
- Format
- rigide
- Pages
- 384
- ISBN10
- 3827010217
- ISBN13
- 9783827010216
- Séries
- Mots clés
- Fiction, Polars & Thrillers, Polars, France, LGBTQ+, Littérature française, Féminisme, Enquête criminelle, Satire, Disparitions, Enlèvements, Crimée
- Première publication
- 2010
- Titre original
- Apocalypse bébé
- Évaluation
- 3,7 sur 5
- Description
- Valentine, the troubled daughter of a well-off but dysfunctional Parisian family, vanishes on her way to school. Inexperienced private detective Lucie Toledo is hired to find the missing teenager, and enlists the help of a formidable agent with a past, known to her friends as the Hyena. Their quest, from Paris to Barcelona and back, uncovers a rich cast of characters whose paths have crossed Valentine's, leading to an alarming climax. Part political thriller, part road-movie, part romance, the latest novel by subversive writer and film-maker Virginie Despentes won the Prix Renaudot 2010 for the pitiless gaze it directs at society in the age of the internet.