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York Notes on Waiting for Godot by Samuel Beckett

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  • 72pages
  • 3 heures de lecture

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A seminal work of twentieth-century drama, Waiting for Godot was Samuel Beckett's first professionally produced play. It opened in Paris in 1953 at the tiny Left Bank Theatre de Babylone, and has since become a cornerstone of twentieth-century theater. The story line revolves around two seemingly homeless men waiting for someone-or something-named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as a somber summation of mankind's inexhaustible search for meaning. Beckett's language pioneered an expressionistic minimalism that captured the existentialism of post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.

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York Notes on Waiting for Godot by Samuel Beckett, S Bushrui, A. Norman Jeffares, Nicholas Zurbrugg, Rosemary Pountney, Samuel Beckett

Langue
Année de publication
1988
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(souple),
État du livre
Bon
Prix
3,99 €

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Titre
York Notes on Waiting for Godot by Samuel Beckett
Langue
Anglais
Éditeur
York Press
Publié
1988
Format
souple
Pages
72
ISBN10
0582023181
ISBN13
9780582023185
Séries
Description
A seminal work of twentieth-century drama, Waiting for Godot was Samuel Beckett's first professionally produced play. It opened in Paris in 1953 at the tiny Left Bank Theatre de Babylone, and has since become a cornerstone of twentieth-century theater. The story line revolves around two seemingly homeless men waiting for someone-or something-named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as a somber summation of mankind's inexhaustible search for meaning. Beckett's language pioneered an expressionistic minimalism that captured the existentialism of post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.