Paramètres
- 249pages
- 9 heures de lecture
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Objects Recognized in Flashes' is the title of a group exhibition focusing on surfaces of photographs, products, and bodies. The exhibition was developed by the curator in consultation with the artists Michele Abeles, Annette Kelm, Josephine Pryde, and Eileen Quinlan. It asks how our largely mediatized society deals with and relates analogue and digital images. How are relations between material and immateriality, body, screen and photographic surface constituted? In our contemporary consumer culture, products and questions of commodity aesthetics are becoming more and more significant. This is not without consequences for our use of photographic images. Ubiquitous advertising, marketing, and product presentation create imaginary visual standards that have now become a firm fixture of our self representations in photos on social media platforms. The works by the four artists in the exhibition respond both in respect to each other, and to this changing context.
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Objects Recognized in Flashes, Michele Abeles, Annette Kelm, Josephine Pryde, Eileen Quinlan, Matthias Michalka, Ferguson., Helen, Tom McDonough, Gerrit Jackson, Juliane Rebentisch
- Langue
- Année de publication
- 2019
Modes de paiement
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- Titre
- Objects Recognized in Flashes
- Sous-titre
- Ausst. Kat. Museum Moderner Kunst Stiftung Ludwig Wien, 2019/20
- Langue
- Anglais
- Auteurs
- Michele Abeles, Annette Kelm, Josephine Pryde, Eileen Quinlan, Matthias Michalka, Ferguson., Helen, Tom McDonough, Gerrit Jackson, Juliane Rebentisch
- Publié
- 2019
- Pages
- 249
- ISBN10
- 3960987323
- ISBN13
- 9783960987321
- Séries
- Mots clés
- Nonfiction, Art / Culture, Photographie, Histoire et théorie de l’art, Esthétique, Arts Visuels
- Description
- Objects Recognized in Flashes' is the title of a group exhibition focusing on surfaces of photographs, products, and bodies. The exhibition was developed by the curator in consultation with the artists Michele Abeles, Annette Kelm, Josephine Pryde, and Eileen Quinlan. It asks how our largely mediatized society deals with and relates analogue and digital images. How are relations between material and immateriality, body, screen and photographic surface constituted? In our contemporary consumer culture, products and questions of commodity aesthetics are becoming more and more significant. This is not without consequences for our use of photographic images. Ubiquitous advertising, marketing, and product presentation create imaginary visual standards that have now become a firm fixture of our self representations in photos on social media platforms. The works by the four artists in the exhibition respond both in respect to each other, and to this changing context.