Le livre est actuellement en rupture de stock
En savoir plus sur le livre
The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Adorno's major work, a defense of modernism that is paradoxical in its defense of illusion. In it, Adorno takes up the problem of art in a day when "it goes without saying that nothing concerning art goes without saying". In the course of his discussion, Adorno revisits such concepts as the sublime, the ugly, and the beautiful, demonstrating that concepts such as these are reservoirs of human experience. These experiences ultimately underlie aesthetics, for in Adorno's formulation "art is the sedimented history of human misery".
Achat du livre
Aesthetic theory, Theodor W. Adorno
- Langue
- Année de publication
- 1996
- product-detail.submit-box.info.binding
- (rigide)
Nous vous informerons par e-mail dès que nous l’aurons retrouvé.
Modes de paiement
Il manque plus que ton avis ici.
- Titre
- Aesthetic theory
- Langue
- Anglais
- Auteurs
- Theodor W. Adorno
- Éditeur
- Univ. of Minnesota Press
- Publié
- 1996
- Format
- rigide
- ISBN10
- 0816617996
- ISBN13
- 9780816617999
- Séries
- Mots clés
- Nonfiction, Sciences sociales, Art / Culture, Histoires vraies, Thématique philosophique, Art, Littérature allemande, Presse d'opinion & Essais, Histoire et théorie de l’art, Histoire de l'art, Théories scientifiques, Modernisme, Esthétique
- Première publication
- 1970
- Titre original
- Ästhetische Theorie
- Évaluation
- 4,35 sur 5
- Description
- The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Adorno's major work, a defense of modernism that is paradoxical in its defense of illusion. In it, Adorno takes up the problem of art in a day when "it goes without saying that nothing concerning art goes without saying". In the course of his discussion, Adorno revisits such concepts as the sublime, the ugly, and the beautiful, demonstrating that concepts such as these are reservoirs of human experience. These experiences ultimately underlie aesthetics, for in Adorno's formulation "art is the sedimented history of human misery".