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The essay explores the evolving role of curators in contemporary exhibitions, highlighting a shift from traditional connoisseurship to a more creative and artistic approach. It discusses the transformation of museum objects and exhibition language, emphasizing a move towards experimental, poetic, and narrative-driven presentations. By analyzing three case studies—The Surreal House, David Bowie Is, and The Concise Dictionary of Dress—the essay illustrates how innovative curatorial strategies shape unique museum experiences and foster imaginative narratives in art.
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New Interpretive Paradigm in Curating the Contemporary, Margaret Choi Kwan Lam
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- 2014
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