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This collection features a series of essays exploring the multifaceted concept of blindness in literature and philosophy. It begins with an introduction by S. Eickenrodt and includes contributions from various scholars. W. P. Klein examines historical linguistic and cultural developments related to the term "blind." J. Gessinger discusses the interplay of perception, memory, and cognition in the works of Diderot, Bonnet, and Mendelssohn, while G. Schleusener-Eichholz analyzes the fable "The Blind Man and the Lame" and its evolution in European literature. H. Feger reflects on Herder's philosophy of feeling, particularly regarding the blind-born, and K. Nonnenmacher critiques the limitations of sensualist aesthetics. J. Müller-Tamm investigates the symbolism of green glasses in relation to blindness and knowledge around 1800. M. Klaue explores the theme of blindness and comedy in August von Kotzebue's dramas, and B. von Jagow delves into the dramaturgy of blindness in Heinrich von Kleist's works. A. Bennholdt-Thomsen and A. Guzzoni discuss the spectrum of blindness in Friedrich Hölderlin's oeuvre. Other essays address the reflections on blindness in Jean Paul's writings and the implications of visuality in literature, including E. T. A. Hoffmann's narratives and the critique of contemporary culture. The collection culminates in discussions of visuality and blindness in Stifter's "Abdias."
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Blindheit in Literatur und Ästhetik, Sabine Eickenrodt
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- Année de publication
- 2012
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