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This collection features a range of articles and reviews that delve into contemporary British music traditions and their intersections with identity, performance, and cultural legacies. The preface sets the stage for discussions on sacred and secular music, exploring identity and style in two singing traditions from the Pennines. Other contributions examine the structuring of English folk music sessions, the role of loyalist songs in shaping historical allegiances, and the impact of imperial legacies on musical creativity. Additionally, the shaping of diasporic sounds in Bhangra highlights the significance of identity in music. The book also includes reviews of notable works, such as Michael Tenzer's exploration of Balinese music, Kay Kaufmann's insights into changing soundscapes, and Mark C. van Tongeren's examination of overtone singing. Other reviews cover a variety of world music anthologies, including those focusing on Afghanistan, Azerbaijan, and the Peruvian Andes, as well as the traditions of the Rhodopes in Bulgaria and the sacred music of African American communities. The collection provides a comprehensive look at diverse musical traditions and their cultural contexts, showcasing the contributions of various scholars and musicians.
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Contemporary British music traditions, Max Peter Baumann
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- 2004
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