Contents: * From the Editor + 1. the world of music—On the History of the Journal + 2. Contents and Abstracts (Volumes and Issues in Descending Chronological Order) + 3. the world of music bibliography (In Alphabetical Order by the Authors of Articles) + 4. Book Reviews (In Alphabetical Order by Authors of Books Reviewed and Review Authors) + 5. Recording Reviews (In Alphabetical Order by Review Authors and Titles of Recordings Reviewed) + 6. Cumulative Index
This collection features a range of articles and reviews that explore the intersection of music and culture across various contexts. Key articles include discussions on the political dimensions of music in Korea, the historical impact of Japanese colonial rule on Korean traditional music, and the transformative potential of democratic music in South Korea. The reformation of traditional folksongs in North Korea is also examined, highlighting the evolving nature of cultural expression. In addition to articles, the book includes insightful reviews of significant works that delve into music's role in shaping national identity and cultural politics in different regions, including Lebanon, West Virginia, and Trinidad. The reviews cover a variety of topics, from fiddle traditions to the aesthetics of British indie music, showcasing the diverse ways music interacts with societal issues. The recording reviews section highlights notable films that document musical traditions and practices, featuring works that portray griots, funeral chants from Georgia, and African brass bands. This compilation provides a rich exploration of music's multifaceted role in society, emphasizing both historical and contemporary perspectives. The contributions from various scholars and practitioners reflect a commitment to understanding the cultural significance of music across different landscapes.
This collection features a diverse range of articles exploring the engagement of Indigenous peoples with recording technologies and the music industry. Contributions include Karl Neuenfeldt's insights on Indigenous interactions with recording technology, and Beverley Diamond's examination of Sami perspectives on CD production in Northern Europe. Ase Ottoson discusses the production of Aboriginal music in a Central Australian studio, while Brian Diettrich highlights innovation in Chuukese popular music. Neuenfeldt also addresses the revival of Rotuman music through a collaborative project involving Rotuman, Fijian, and Australian artists. Katelyn Barney explores how Indigenous Australian women leverage contemporary recording technologies for agency and expression. Dan Bendrups presents a biographical history of sound recording related to Easter Island music, and Denis Crowdy offers a case study of home studios in the Solomon Islands. James E. Cunningham contrasts the Nammys and Grammys, examining celebrity and technology in the Indigenous music recording industry in North America. Jeniffer Cattermole discusses the engagement of Taveuni and Qamea musicians with recording technologies. The volume also includes book reviews and recording reviews, providing a comprehensive overview of contemporary Indigenous music scholarship.
**Contents:** Articles include Amanda Minks' introduction and contributions from various authors exploring diverse musical themes. Kathryn Marsh discusses children's musical play and orality in a reproducible age, while Anthony and Kate Seeger examine music at a summer camp. Marie Agatha Ozah presents the Iwali Child Queen Dance from Nigeria, and Rita de Cacia Oenning da Silva investigates music and rites of passage among street children in Brazil. Yee Ming To reflects on identity and childhood in Hong Kong's children's songs, and Roe-Min Kok connects kindergarten, cultural nationalism, and Schumann's work. **Book Reviews** (edited by Helena Simonett) feature critiques of notable works, including Dale A. Olsen's exploration of music and identity in the South American Japanese diaspora, and Taras Filenko and Tamara Bulat's examination of ethnic identity in Ukraine's music history. Other reviews cover Carlos Sandroni's analysis of samba transformations in Rio de Janeiro, Xavier Vatin's study of possession music in Bahia, and Sergio Navarrete Pellicer's insights into Guatemalan marimba music. Felicia M. Miyakawa's work on Five Percenter rap is also reviewed. **Recording Reviews** (edited by David Dawe) include Sue Miller's commentary on a compilation of Latin American music, Parmis Mozafaris' review of a Persian tale, and Ruth Hellier-Tinoco's insights into Nati Cano's mariachi music. **About the Contributors** section provid
This collection features a range of articles and reviews that delve into contemporary British music traditions and their intersections with identity, performance, and cultural legacies. The preface sets the stage for discussions on sacred and secular music, exploring identity and style in two singing traditions from the Pennines. Other contributions examine the structuring of English folk music sessions, the role of loyalist songs in shaping historical allegiances, and the impact of imperial legacies on musical creativity. Additionally, the shaping of diasporic sounds in Bhangra highlights the significance of identity in music. The book also includes reviews of notable works, such as Michael Tenzer's exploration of Balinese music, Kay Kaufmann's insights into changing soundscapes, and Mark C. van Tongeren's examination of overtone singing. Other reviews cover a variety of world music anthologies, including those focusing on Afghanistan, Azerbaijan, and the Peruvian Andes, as well as the traditions of the Rhodopes in Bulgaria and the sacred music of African American communities. The collection provides a comprehensive look at diverse musical traditions and their cultural contexts, showcasing the contributions of various scholars and musicians.
This collection features a diverse range of articles and reviews exploring the intersections of music, culture, and aesthetics. Contributions include a preface by Daniel Avorgbedor and an examination by Lawrence Kramer on music's cultural mixture and aesthetic dimensions. Ian Chambers discusses the evolution of Neapolitan song, while Judith L. Hanna interrogates notions of appropriateness and competency in aesthetics. Marc Benamou compares musical affect between Java and the West, and Ben Koen delves into the spiritual aesthetic of Badakhshani devotional music. Chan E. Park analyzes the poetics and politics of Korean oral tradition in a cross-cultural context, and Cheryl L. Keyes highlights the aesthetic significance of African American sound culture and its influence on popular music. The book also includes reviews of notable works, such as Martin Clayton, Trevor Herbert, and Richard Middleton's critical introduction to the cultural study of music, and Bruno Nettl's memoir on ethnomusicology. Tina K. Ramnarine reviews Margaret J. Kartomi's exploration of an Australian link to the Indonesian revolution through music, as well as Andy Nercessian's collection of old Armenian songs. CD reviews cover a range of recordings from Scottish traditions to the music of the Tuaregs, alongside personal accounts of Venda initiation rites. This anthology showcases the rich tapestry of global music and its cultural implications.
This collection features a series of insightful articles exploring the intersection of tradition and contemporary composition across various cultural contexts. Contributors examine the role of music in shaping national identity in Indonesia, the impact of the Cultural Revolution on modernization in China, and the influence of African polyrhythm on contemporary composers. The works delve into the relationship between traditional music and composition in India, highlighting how cultural practices inform creative processes. There are reflections on cross-cultural collaborations and the significance of technology in these exchanges, as well as discussions on diversity in musical expression. The book also includes critical reviews of significant works in ethnomusicology, addressing topics such as improvisation and the historical context of music in ancient Israel/Palestine. Additionally, it features analyses of the socio-economic history of music in Anglo-Indian society and proceedings from an international conference on music and minorities. This rich tapestry of perspectives from various scholars provides a comprehensive understanding of the dynamic interplay between music, culture, and identity across different regions and traditions.
This collection features a diverse range of articles exploring cultural competitions and performances across the globe. Frank Gunderson introduces the themes, while Shannon Dudley examines creativity and control in Trinidad Carnival competitions. Gavin Douglas discusses the Sokayeti Performing Arts Competition in Burma/Myanmar, highlighting national identity through performance. Rebecca S. Miller analyzes locality and identity at the Parang String Band Competition in Grenada, and Sean Williams critiques the tension between competition and tradition in Sundanese performing arts. Sylvia Nannyonga-Tamusuza explores how school festivals in Uganda reinvent Baakisimba music and dance. Ramona Holmes reflects on the social dynamics of softball cheers in the U.S., and Chris Goertzen evaluates the virtues and flaws of Galax, Virginia's Old Fiddlers Convention. The book also includes reviews of significant works on music and technology, globalization, and cultural rituals. Contributions cover a wide array of topics, from the oral epic and Highland music of West Java to the musical heritage of ethnic minorities in Austria. Brief mentions highlight further scholarly works on Caribbean music criticism and the legacy of Béla Bartók. CD reviews feature liturgical chants from the Syrian Orthodox Church and music from Tanzania, emphasizing the rich tapestry of global musical traditions.
This collection features a diverse range of articles exploring the cultural and musical heritage of the Baltic region. Topics include the historical context of Baltic regionalism, the historiography and traditions of musical instruments, and the unique characteristics of Lithuanian Schwebungsdiaphonie in relation to South and East European parallels. It also examines Estonian herding songs in the context of ethnic relations and the impact of political changes on the Latvian neo-folklore movement. Additionally, the wedding songs and ceremonies of Kihu Island in Estonia are discussed. The institutions section highlights significant folklore archives and ethnomusicology departments across the Baltic states, including the Estonian Folklore Archives and the Lithuanian Academy of Music's ethnomusicology section. The book reviews section features critical discussions on various works, including a review symposium on "Music and the Racial Imagination," and examinations of topics such as music and gender and a documentary on bluegrass. Recording reviews offer insights into Afro-Hispanic music from Western Colombia and Ecuador, showcasing the rich musical tapestry of the region. The contributions from various authors reflect a commitment to understanding and preserving the musical traditions of the Baltic area.