Edward Abbey Livres

Révoltés de voir la somptueuse nature de l'Ouest américain défigurée par les industriels, quatre insoumis décident d'entrer en lutte contre la "Machine". Un vétéran du Vietnam accro à la bière et aux armes à feu, un chirurgien incendiaire entre deux âges, sa superbe maîtresse et un mormon nostalgique et polygame se mettent à détruire ponts, routes et voies ferrées qui balafrent le paysage. Armés de simples clefs à molette — et de quelques bâtons de dynamite —ils affrontent les représentants de l'ordre et de la morale dans une folle course-poursuite à travers le désert.

Désert du Nouveau-Mexique, 1950. Jack Burns, cow-boy solitaire en rupture avec le monde moderne, chevauche son Appaloosa, vit de petits boulots et dort à la belle étoile. Lorsqu'il apprend que son ami Paul vient d'être incarcéré, il descend dans la vallée pour l'aider à s'évader. Mais son amour de la liberté n'est pas du goût de tout le monde. Une chasse à l'homme s'engage bientôt aussi absurde qu'impitoyable...

Down the River is a collection of essays both timeless and timely. It is an exploration of the abiding beauty of some of the last great stretches of American wilderness on voyages down rivers where the body and mind float free, and the grandeur of nature gives rise to meditations on everything from the life of Henry David Thoreau to the militarization of the open range. At the same time, it is an impassioned condemnation of what is being done to our natural heritage in the name of progress, profit, and security. Filled with fiery dawns, wild and shining rivers, and radiant sandstone canyons, it is charged as well with heartfelt, rampageous rage at human greed, blindness, and folly. It is, in short, Edward Abbey at his best, where and when we need him most.

The Journey Home ranges from the surreal cityscapes of Hoboken and Manhattan to the solitary splendor of the deserts and mountains of the Southwest. It is alive with ranchers, dam builders, kissing bugs, and mountain lions. In a voice edged with chagrin, Edward Abbey offers a portrait of the American West that we’ll not soon forget, offering us the observations of a man who left the urban world behind to think about the natural world and the myths buried therein. Abbey, our foremost “ecological philosopher,” has a voice like no other. He can be wildly funny, ferociously acerbic, and unexpectedly moving as he ardently champions our natural wilderness and castigates those who would ravish it for the perverse pleasure of profit.

“Rough, tough, combative . . . a passionately felt, deeply poetic book.”—Edwin Way Teale, The New York Times Book Review “This is not primarily a book about the desert,” writes Edward Abbey in his introduction. “In recording my impressions of the natural scene I have striven above all for accuracy, since I believe that there is a kind of poetry, even a kind of truth, in simple fact. But the desertis a vast world, an oceanic world, as deep in its way and complex and various as the sea. Language makes a mighty loose net with which to go fishing for simple facts, when facts are infinite. If a man knew enough he could write a whole book about the juniper tree. Not juniper trees in general but that one particular juniper tree which grows from a ledge of naked sandstone near the old entrance to Arches National Monument. What I have tried to do then is something a bit different. Since you cannot get the desert into a book any more than a fisherman can haul up the sea with his nets, I have tried to create a world of words in which the desert figures more as medium than as material. Not imitation but evocation has been the goal.”

Henry Lightcap, a man facing a terminal illness, sets out on a trip across America accompanied only by his dog, Solstice, and discovers the beauty and majesty of the Southwest.

Text and photographs discuss the various mountain ranges of North America including the Rockies, Hawaii, Cascades, Appalachins, Olympics, Sierra Nevada and the mountain ranges of Alaska

You are about to visit some of the most exciting places on earth. Not the sort of excitement that makes morning headlines or the nightly news. Instead it is the excitement that comes from experiencing the natural world as it always has been and should be, and seeing human beings living in tune with its subtlest rhythms. In Australian cattle country and in the primitive outback. On a desert island off Mexico and in the Sierra Madres. On the Rio Grande and in the great Southwest. On Lake Powell in Utah and in the living American desert. It is adventure. It is enlightenment. It is vintage Abbey.

From stories about cattlemen, fellow critics, his beloved desert, cities, and technocrats to thoughts on sin and redemption, this is one of our most treasured writers at the height of his powers.

Edward Abbey's first love was to write fiction, and as so many of his friends pointed out, Black Sun was his own personal favorite book. It contains some of his most lyrical writing, and it is unusually gentle and introspective for him.