Kenzaburó Óe Livres

Empreint d'une étrange violence intérieure, Une affaire personnelle est un roman cruel et douloureux : Bird, le héros de cette bouleversante histoire, a vingt-sept ans et son épouse vient de mettre au monde un enfant anormal. Déchiré par des sentiments contradictoires, dont l'immense tentation de se débarrasser du nouveau-né, le jeune père ira-t-il jusqu'à tuer de ses mains le bébé monstrueux ? Durant trois longues journées, Bird cherchera en vain dans l'alcool et les bras d'une possible " complice " la force de mener à son terme sa fuite en avant...

Un adolescent fête ses dix-sept ans dans l'indifférence de sa famille, en pleine décomposition. Complexé, mal dans sa peau, incompris de ses parents, il est terriblement frustré. Obnubilé par ses pulsions sexuelles, il s'est replié sur lui-même et toise ses camarades d'un regard méprisant. Il constitue une proie idéale pour les militants d'extrême droite qui recrutent des jeunes pour donner la claque lors des meetings du partie de l'Action Impériale... Inspirée de faits réels, cette nouvelle du grand maître de la littérature japonaise contemporaine (prix Nobel de littérature 1994) nous plonge dans le mal-être du Japon des années soixante.

Deux frères, Mitsu et Taka, regagnent le village dont leur famille est originaire, au sud-ouest du Japon, et voient, chacun à sa manière, se détruire et se reconstruire un univers psychique et social, foisonnant et mythique, à travers lequel on peut lire un siècle d'histoire japonaise. Mitsu, le narrateur, semble devoir expier deux fautes : la naissance de son fils anormal et le suicide de son meilleur ami. Les deux drames sont à la fois déchirants et grotesques, occasion d'une mise en scène caricaturale et d'une introspection. Taka, lui, est le véritable protagoniste de ce Jeu du siècle. De retour des Etats-Unis, il retrouve volontairement et inconsciemment les circonstances réelles et symboliques dans lesquelles, un siècle plus tôt, eut lieu, dans le même village, toute une série de révoltes paysannes.

From Nobel Prize winner Oe comes the story of Marie Kuraki, a Japanese woman with a smile like Betty Boop's, who has become a saint to a group of Mexican farm workers. Although Marie is an unbeliever in search of spiritual peace, she embarks on a journey prompted by a series of personal tragedies, including the deaths of her husband and sons.

Edited by one of Japan's leading and internationally acclaimed writers, this collection of short stories was compiled to mark the fortieth anniversary of the August 1945 atomic bombings of Hiroshima and Nagasaki. Here some of Japan's best and most representative writers chronicle and re-create the impact of this tragedy on the daily lives of peasants, city professionals, artists, children, and families. From the "crazy" iris that grows out of season to the artist who no longer paints in color, the simple details described in these superbly crafted stories testify to the enormity of change in Japanese life, as well as in the future of our civilization. Included are "The Crazy Iris" by Masuji Ibuse, "Summer Flower" by Tamiki Hara, "The Land of Heart's Desire" by Tamiki Hara, "Human Ashes" by Katsuzo Oda, "Fireflies" by Yoka Ota, "The Colorless Paintings" by Ineko Sata, "The Empty Can" by Kyoko Hayashi, "The House of Hands" by Mitsuharu Inoue, and "The Rite" by Hiroko Takenishi.

Prize Stock, the first of the novels included in Teach Us to Outgrow Our Madness, depicts the relationship between a Japanese boy and a black American airman captured during the second world war. Teach Us to Outgrow Our Madness, the title story, is a semi-autobiographical account of a father coming to terms with his brain-damaged son. Aghwee The Sky Monster is about a young man's first job - chaperoning a banker's son. In The Day He Himself Shall Wipe My Tears Away, the narrator lies on his hospital bed eagerly waiting to die of cancer.

"Two brothers, Takashi and Mitsu, return from Tokyo to the village of their childhood. Selling their family home leads them to an inescapable confrontation with their family history. Their attempt to escape the influence of the city ends in failure as they realize that its tentacles extend to everything in the countryside, including their own relationship."--Amazon.com

Kenzaburo Oe is one of the world's finest writers, and in Rouse Up O Young Men of the New Age! he delivers a virtuoso novel of extraordinary power, touching on his familiar themes of family, responsibility, the nature of literary inspiration, and the unique nature of parenting a disabled child.

Late in his life, writer Kogito Choko reconnects with his estranged friend, the filmmaker Goro Hanawa. Goro's subsequent suicide causes Kogito to examine and reexamine Goro's life for clues that will lead him to understand his friend's path.

A Quiet Life is an uncanny blend of the real with the imagined, of memoir with fiction. A Quiet Life is narrated by Ma-chan, a twenty-year-old woman. Her father is a famous and fascinating novelist; her older brother, though severely brain damaged, possesses an almost magical gift for musical composition; and her mother's life is devoted to the care of them both. Ma-chan and her younger brother find themselves emotionally on the outside of this oddly constructed nuclear family. But when her father accepts a visiting professorship from an American university, Ma-chan finds herself suddenly the head of the household and at the center of family relationships that she must begin to redefine.