Johann Wolfgang von Goethe Livres

MÉPHISTOPHÉLÈS : - Je veux ici m'attacher à ton service, obéir sans fin ni cesse à ton moindre signe ; mais, quand nous nous reverrons là-dessous, tu devras me rendre la pareille. FAUST - Le dessous ne m'inquiète guère ; mets d'abord en pièces ce monde-ci, et l'autre peut arriver ensuite. Mes plaisirs jaillissent de cette terre, et ce soleil éclaire mes peines ; que je m'affranchisse une fois de ces dernières, arrive après ce que pourra. Je n'en veux point apprendre davantage. Peu m'importe que, dans l'avenir, on aime ou haïsse, et que ces sphères aient aussi un dessus et un dessous. MÉPHISTOPHÉLÈS - Dans un tel esprit tu peux te hasarder : engage-toi ; tu verras ces jours-ci tout ce que mon art peut procurer de plaisir ; je te donnerai ce qu'aucun homme n'a pu même encore entrevoir.

Librarian's Note: this is an alternate cover edition- ISBN 10: 2081358689 (ISBN 13: 9782081358683) « Faust » : ce simple mot, cette syllabe robuste et trapue comme le « poing » qu'elle désigne couramment, est un signe aussi fort dans l'histoire culturelle des pays allemands que lorsqu'on dit « don Quichotte » en terre espagnole ou « Dante » en Italie. C'est essentiellement grâce à l'oeuvre de Goethe que le personnage de Faust a passé les frontières et rejoint, dans l'imaginaire occidental, les figures de don Juan et de Prométhée. Comme eux, insatisfait et rebelle, Faust s'oppose à l'autorité divine en faisant un pari dont l'enjeu n'est rien de moins que le sens de la vie et la possibilité du salut.

"Qui peut mettre la fin de sa vie en relation avec son commencement est le plus heureux des hommes." Ces maximes sont l'oeuvre d'une vie. Elles procèdent d'un même sens. C'est la tentative de réunir les contraires et d'établir une harmonie entre la pensée et l'action. Dans ce jeu entre le statique et le dynamique, dans ces perpétuels renvois et ces apparentes contradictions se situe la sagesse de ce livre : "Trouver son rapport à soi-même, aux autres et aux choses." À l'inverse des choses, l'homme n'a pas de place prédéterminée dans le monde qu'il n'appréhende jamais de façon immédiate. L'effort d'une vie est de l'affirmer : s'intégrer dans l'ordre toujours juste des choses en restant homme.

Autobiographie écrite, pour les trois premières parties, de 1811 à 1814 et pour la dernière en 1830. Les amours et les oeuvres revisitées mais sur un ton plus classique que romantique et donc très loin de Rousseau.

«Un serin vole du miroir, et se perche sur son épaule. "Un nouvel ami", dit-elle, et elle l'attira sur sa main. "Il est destiné à mes petits. Il est si joli ! regardez-le. Quand je lui donne du pain, il bat des ailes, et becquete si gentiment ! Il me baise aussi : voyez." Lorsqu'elle présenta sa bouche au petit animal, il becqueta dans ses douces lèvres... "Il faut aussi qu'il vous baise", dit-elle, et elle me tendit l'oiseau. Son petit bec passa des lèvres de Charlotte aux miennes, et ses picotements furent comme un souffle précurseur, un avant-goût de jouissance amoureuse... "Il mange aussi dans ma bouche", dit-elle. Je détournai le visage.»

" Goethe : l'Orphée et l'Horace allemands réunis dans un même homme. " Lamartine

Ce Voyage en Italie de Goethe est important à plus d'un titre. On peut légitimement considérer qu'il a marqué une rupture dans sa vie. En prenant la route du Sud en 1786, Goethe a voulu échapper à un univers qu'il sentait trop pesant : " Je me suis enfui de Carlsbad à trois heures du matin : autrement on ne m'aurait pas laissé partir ". Il se dérobe incognito, à la hâte, affronte les périls et se métamorphose en Wanderer : le voyageur, le vagabond, l'errant. Commence alors son odyssée, qui durera jusqu'en 1788 et qu'il retrace dans ce récit où se mêlent l'art et la vie. Goethe traverse Vérone, Vicence, Venise, Padoue, Ferrare, Bologne, Florence, Pérouse, Rome, Naples, Palerme. Il admire l'art classique, contemple les paysages, se lie avec la population : son expérience est intense. Ce Voyage en Italie, publié seulement en 1816 pour la première fois, depuis longtemps indisponible en France, compte parmi les plus célèbres relations de voyage allemandes et s'inscrit dans le projet autobiographique de l'auteur de Faust. La traduction de Jacques Porchat a été révisée et complétée par Jean Lacoste qui signe aussi une remarquable préface où est exposé l'art du voyage chez Goethe, pour qui le déplacement ne saurait aller sans une renaissance et la redécouverte de soi.

The Essential Goethe is the most comprehensive and representative one-volume collection of Goethe's writings ever published in English. It provides English-language readers easier access than ever before to the widest range of work by one of the greatest writers in world history. Goethe's work as playwright, poet, novelist, and autobiographer is fully represented. The volume also offers a selection of Goethe's essays on the arts, philosophy, and science, which give access to the thought of a polymath unrivalled in the modern world. Primarily drawn from Princeton's authoritative twelve-volume Goethe edition, the translations are highly readable and reliable modern versions by scholars of Goethe. The volume also features an extensive introduction to Goethe's life and works by volume editor Matthew Bell.

This luminous, timely new translation by renowned co-translators Zsuzsanna Ozsvath and Frederick Turner, accompanied by original illustrations, brings Goethe's timeless classic to greater heights than ever before in the English language.

Goethe's early plays bear witness to his urgent desire to enliven German theater--an ambition that followed him to the National Theater in Weimar, where he was named director in the early 1790s. This volume contains eight of these plays, written between 1771 and 1787. Not only do they demonstrate Goethe's unprecedented versatility in experimenting with new forms of dramatic expression, but they also give insight into his development from Sturm und Drang to classicism. These works include prose plays (Goetz von Berlichingen with the Iron Hand and Egmont), tragedies and comedies (Clavigo, Stella, and Brother and Sister), and dramatic verse forms (Prometheus, Jery and Betty, and Proserpina).

»Kennst du das Land, wo die Zitronen blühn, im dunkeln Laub die Goldorangen glühn …« Eine Reise nach Italien galt im 17. und 18. Jahrhundert als unverzichtbarer Bestandteil der Erziehung junger Männer aus gutem Hause. Beschwerliche Kutschfahrten führten sie nach Florenz, Venedig, Rom und Neapel. Künstler folgten ihnen bald, und so führte 1786 bis 1788 auch Johann Wolfgang von Goethe die Sehnsucht gen Süden. Goethes Italienische Reise vermittelt sehr lebendig seine tiefe Begeisterung, schildert aber auch einen bereits gut organisierten frühen Tourismus. Nur siebzig Jahre später hielten erste Fotografen Stationen der Grand Tour auf silberbeschichteten Platten fest. Carlo Naya (1816–1882) oder dem, wie Goethe, aus Frankfurt am Main stammenden Giorgio Sommer (1834–1914) gelangen ungemein poetische Ansichten von Markusplatz, Kolosseum, Rauch spuckendem Vesuv und schönen Fischerinnen auf Capri. – Zeigen die träumerischen Bilder uns, was Goethe sah? Der Band im XL-Format stellt Goethe-Zitate den entsprechenden Fotografien gegenüber.

Johann Wolfgang von Goethe is most famous for his work on color theory, but he was also an accomplished all-round scientist, studying and writing on anatomy, geology, botany, zoology and meteorology. This book draws together, in Goethe's own words, his key ideas on nature, science and scientific method. Goethe believed that we should study our world and nature as people at home in it, rather than removedly, as if we were aliens from another planet. He adopted a qualitative approach to science at odds with Newton's quantitative methods that were so popular in his day. His is a sensitive science which does not ignore our relationship to nature. The extracts in this book are fascinating and essential reading for anyone who feels that we've lost our spiritual connection to nature.

Goethe’s influential text, newly illustrated with stunning color photographs. The Metamorphosis of Plants, published in 1790, was Goethe’s first major attempt to describe what he called in a letter to a friend “the truth about the how of the organism.” Inspired by the diversity of flora he found on a journey to Italy, Goethe sought a unity of form in diverse structures. He came to see in the leaf the germ of a plant’s metamorphosis—“the true Proteus who can hide or reveal himself in all vegetal forms”—from the root and stem leaves to the calyx and corolla, to pistil and stamens. With this short book—123 numbered paragraphs, in the manner of the great botanist Linnaeus—Goethe aimed to tell the story of botanical forms in process, to present, in effect, a motion picture of the metamorphosis of plants. This MIT Press edition of The Metamorphosis of Plants illustrates Goethe’s text (in an English translation by Douglas Miller) with a series of stunning and starkly beautiful color photographs as well as numerous line drawings. It is the most completely and colorfully illustrated edition of Goethe’s book ever published. It demonstrates vividly Goethe’s ideas of transformation and interdependence, as well as the systematic use of imagination in scientific research—which influenced thinkers ranging from Darwin to Thoreau and has much to teach us today about our relationship with nature.

In this classic of speculative science, Goethe, the author of Faust and one of the world's greatest thinkers, provides a unique perspective on the nature of color. While not scientifically correct in light of current knowledge, the book is invaluable in its exploration of color, art, aesthetics, and philosophy. Its inimitable prose and stimulating ideas have made it a longtime favorite with intelligent readers.

When words of love do not come to you on their own, then read these letters. Complete, actual love letters of great men like Lord Byron, John Keats and Voltaire. Leaders like Henry VIII, George Washington, and Napoleon, who wrote to his beloved Josephine, "I awake consumed with thoughts of you..." Artists like van Gogh, Mozart, and Beethoven, who famously penned, "Though still in bed, my thoughts go out to you, my Immortal Beloved..." Dozens of intimate letters, coupled with over a score of period illustrations. Plus fascinating biographies, and insights into the couples' relationships-how they got there, the obstacles they faced, and what happened next. Poet warriors, from the first through the twentieth century, Ovid, Sir Walter Raleigh, Goethe, Nathaniel Hawthorne, Leo Tolstoy, Victor Hugo, Shelley, Robert Browning, Edgar Allen Poe, Mark Twain, Lewis Carroll, Pierre Curie, George Bernard Shaw, Jack London, Admiral Peary, Woodrow Wilson, and many more.

In 1786, when he was already the acknowledged leader of the Sturm und Drang literary movement, Goethe set out on a journey to Italy to fulfil a personal and artistic quest and to find relief from his responsibilities and the agonies of unrequited love. As he travelled to Venice, Rome, Naples and Sicily he wrote many letters, which he later used as the basis for the Italian Journey. A journal full of fascinating observations on art and history, and the plants, landscape and the character of the local people he encountered, this is also a moving account of the psychological crisis from which Goethe emerged newly inspired to write the great works of his mature years.

Walter Arndt's translation of Faust reproduces the sense of the German original and Goethe's enormously varied metrics and rhyme schemes.

Goethes Märchen ist eines der am wenigsten bekannten Werke Goethes und doch eines seiner geheimnisvollsten und bezauberndsten. Es erschien erstmals 1795 in der von Schiller herausgegebenen Zeitschrift »Die Horen«. Historischer Hintergrund ist die Französische Revolution, deren Wirkung auf Deutschland Schiller in einem Brief an Goethe als den “Schatten des Riesen” bezeichnete. Als reales Vorbild für den Schauplatz dieser rätselhaften Dichtung sehen einige Interpreten das antike Rom mit Fähre und Pantheon. Die englische Übersetzung von Thomas Carlyle erschien 1832. Goethe’s Fairy Tale is one of Goethe’s least known works and yet one of his most mysterious and enchanting. It first appeared in 1795 in the journal “Die Horen”, edited by Schiller. The historical background is the French Revolution, whose effect on Germany Schiller described in a letter to Goethe as the “shadow of the giant”. Some interpreters see ancient Rome with its ferry and Pantheon as the real-life model for the setting of this enigmatic poetry. The translation by Thomas Carlyle was first published in 1832.

This is a new translation of a highly disturbing study of marriage and passion by Germany's greatest Romantic writer.

The second part of Goethe's masterpiece opens with Faust struggling to recover from the death of his beloved Gretchen. The quick-witted demon Mephistopheles soon persuades him to look beyond his sorrow and enter the world of politics and power, but the great scholar is still eager for new sensations, and asks Mephistopheles to reveal Helen of Troy to him in a vision. Overwhelmed by her beauty, Faust demands she be brought back from the underworld - but even this fails to bring him contentment, and his appetite for knowledge remains unsated. Completed a few months before Goethe's death, this rich and allusive work weaves together a wealth of diverse philosophical ideas and influences, reworking the medieval myth of Dr Faustus and speculating upon the search for truth in the Age of Enlightenment.

This unique bilingual edition of Goethe's erotic poems contains the Roman Elegies (1789), The Diary (1810), and a selection from the Venetian Epigrams of 1790. David Luke's translations do full justice to Goethe's aim of liberating German poetry and restoring sexual love to its central position in human life. Hans Vaget's fine introduction provides the background to these poems, as well as showing some of the profound and little-known connections between them.

Exploring themes of love, desire, and the beauty of nature, this collection features twenty-four poems that reflect Goethe's experiences and emotions. Originally published as Erotica Romana, the work captures the essence of Roman culture and its influence on personal relationships. Through rich imagery and lyrical language, Goethe delves into the complexities of passion, making this a significant contribution to the genre of romantic poetry.

"Egmont" by Johann Wolfgang von Goethe is a play inspired by Shakespeare's tragedies, depicting a Dutch warrior's struggle against invasion and imprisonment. Blending drama and manifesto, it explores themes of liberty, free will, and fate, offering both entertainment and depth for readers.

An authoritative English translation of one of the most important works in the history of the novel Wilhelm Meister’s Apprenticeship (1795–1796), Goethe’s second novel, is a foundational work in the history of the genre—perhaps the first Bildungsroman, a coming-of-age story focusing on the growth and self-realization of the main character. The story centers on Wilhelm, a young man living in the mid-1700s who strives to break free from the restrictive bourgeois world of his upbringing and seek fulfillment as an actor and playwright. Goethe’s novel had a huge impact on the Romantics. Hegel, Schelling, Novalis, and Schopenhauer considered it one of the most important novels yet written. Schlegel famously called it one of the “three tendencies of the age,” along with the French Revolution and the philosophy of Fichte. And Beethoven, Schubert, and Schumann set poems from the novel to music. It also had a major influence on nineteenth-century British writers, including Thomas Carlyle, who was its first English translator, and George Eliot. Drawn from Princeton’s authoritative collected works of Goethe, and featuring a new introduction by David Wellbery, this is the definitive English version of a landmark of world literature.

The great nineteenth-century German thinker's musings on self-deceit, superstition, art and ambition.

The narrative explores the author's introspective journey, revealing a sense of discontent among those encountered along the way. Through reflections on personal interactions and the impact of these relationships, the book delves into themes of self-perception and the quest for acceptance. The author's candid examination of their experiences invites readers to consider the complexities of human connections and the often unspoken expectations that shape them.

The narrative emphasizes the inevitability of change in life, reflecting on the journey of self-discovery and personal growth. It explores the challenges and transformations faced by characters as they navigate their experiences. The philosophical undertones suggest a deep connection between living fully and embracing the dynamic nature of existence, encouraging readers to reflect on their own lives and the changes they encounter along the way.

The transformative odyssey of Wilhelm Meister centers on a young man's quest for purpose and self-discovery amid a changing world. Goethe skillfully blends elements of the Bildungsroman with a rich exploration of human experiences, creating a narrative that captures the essence of personal growth and the complexities of life. This profound work invites readers to reflect on their own journeys through its intricate storytelling and philosophical insights.

The book explores the profound idea that significant creative works arise from solitude, as articulated by Goethe. It delves into the relationship between isolation and artistic expression, examining how distance from societal distractions can enhance creativity. Through personal anecdotes and reflections, the author illustrates the transformative power of solitude in the creative process, inviting readers to consider the balance between connection and introspection in their own lives.

The book features a collection of dialogues between Johann Wolfgang von Goethe and his friend Johann Peter Eckermann, providing insights into Goethe's thoughts on art, literature, and philosophy. Through these conversations, readers gain a deeper understanding of Goethe's creative process and his reflections on life and society. The translated extracts by John Oxenford capture the essence of Goethe's wisdom and the dynamic intellectual exchange, making it a valuable resource for those interested in German literature and the Romantic era.

The book explores the theme of how society perceives extraordinary individuals, often labeling them as mad or intoxicated due to their unconventional actions and ideas. Drawing inspiration from Goethe's insights in "Faust," it delves into the lives of remarkable figures who challenged norms and pushed boundaries, highlighting the tension between genius and societal acceptance. Through this lens, it examines the fine line between brilliance and madness, inviting readers to reconsider their judgments of those who dare to be different.

Set in a vibrant arena, the narrative follows Reynard, a captivating figure whose presence commands attention. The story unfolds as he navigates the complexities of performance and perception, inviting the audience to witness his journey. Themes of identity and transformation are woven throughout, as Reynard's character reveals deeper layers beyond the spectacle of the ring. The exploration of human connection and the impact of public scrutiny adds depth to this compelling tale.

The publishing house Megali focuses on making historical works accessible by reproducing them in large print, catering specifically to individuals with impaired vision. This initiative highlights a commitment to inclusivity in reading, ensuring that classic texts remain available to a wider audience.

This book is a reproduction of a historical work, published by Megali, a company dedicated to making literature accessible for individuals with impaired vision through large print formats. The focus on readability ensures that important historical texts can be enjoyed by a wider audience, emphasizing inclusivity in literature.

Set against a picturesque meadow, the narrative explores themes of nature’s beauty and the simplicity of rural life. Characters navigate personal growth and relationships, finding solace and inspiration in their surroundings. The story captures the essence of tranquility and the profound connections formed within this serene landscape, inviting readers to reflect on their own experiences with nature and community.

The book explores the idea that remarkable individuals, often celebrated for their extraordinary achievements, are frequently misunderstood or dismissed by society as eccentric or unstable. Drawing on Goethe's insights from "Faust," it delves into the tension between genius and societal perception, highlighting how history often overlooks the brilliance of those who challenge norms. Through various examples, it examines the fine line between madness and creativity, encouraging readers to reconsider the narratives surrounding visionary figures throughout time.

The book explores the theme of how society often misjudges extraordinary individuals, labeling them as mad or intoxicated for their remarkable achievements. It delves into the lives of these men, highlighting their struggles and the misconceptions they face. Through the lens of Goethe's insights, it reflects on the tension between genius and societal acceptance, prompting readers to reconsider the true nature of greatness and the price of innovation.

Ambition and the human condition are central themes in this iconic tragedy, where the protagonist, Faust, a disillusioned scholar, makes a fateful pact with the devil, Mephistopheles, seeking limitless knowledge and pleasure. Goethe intricately examines morality, the pursuit of power, and the repercussions of unbridled desires through Faust's tumultuous journey. The narrative is rich with poetic brilliance and philosophical depth, exploring passion, remorse, and the quest for redemption, making it a timeless exploration of human nature and the search for meaning.

Isolation serves as a crucial theme in this exploration of the creative process, reflecting Goethe's belief that significant works emerge from solitude. The narrative delves into the interplay between truth and fiction in the author's life, highlighting the transformative power of introspection and the necessity of seclusion for genuine artistic expression. Through this lens, the book examines the relationship between personal experience and creativity, offering profound insights into the nature of inspiration and the solitary journey of the artist.

This book is a reproduction of a historical work, published in large print to enhance accessibility for individuals with impaired vision. Megali, the publishing house behind this edition, focuses on making classic texts more readable, ensuring that important historical content is available to a wider audience.

Exploring themes of ambition and the human condition, this monumental work follows the scholar Faust, who, in his quest for knowledge and worldly pleasures, strikes a pact with the devil, Mephistopheles. Divided into two parts, the narrative delves into the consequences of Faust's choices and the eternal struggle between good and evil, making it a profound reflection on the nature of desire and fulfillment.

This book is a reproduction of a historical work, presented in large print to enhance accessibility for readers with impaired vision. Published by Megali, a company dedicated to making historical texts more readable, it aims to preserve the original content while catering to those who benefit from larger text formats.

The book emphasizes the importance of daily engagement with art and culture, suggesting that listening to music, reading poetry, viewing art, and conversing meaningfully enriches life. Goethe's quote reflects a philosophy that values the aesthetic and intellectual nourishment found in these experiences, advocating for a balanced and fulfilling daily routine that includes appreciation for beauty and creativity.

This work is a reproduction of an original text, emphasizing accessibility for readers with impaired vision through large print formatting. Published by Megali, a house dedicated to historical works, it aims to preserve and share important literature while ensuring readability for a wider audience.

Based on the fable of a man who traded his soul for superhuman powers and knowledge, this text became the life work of Germany's greatest poet, Goethe. It is the dramatic poem that charts the life of a deeply flawed individual and his fight against despair and the nihilism of the Mephistopheles.

Bd. 10. Aus meinem Leben : Dichtung u. Wahrheit 1977 1021 S. Taschenbuch Artemis DTV,

In the wares before you spread, Types of all things may be read. ABOUT THE AUTHOR: Johann Wolfgang von Goethe was a German writer, pictorial artist, biologist, theoretical physicist, and polymath. He is considered the supreme genius of modern German literature. His works span the fields of poetry, drama, prose, philosophy, and science. His Faust has been called the greatest long poem of modern European literature. His other well-known literary works include his numerous poems, the Bildungsroman Wilhelm Meister's Apprenticeship, and the epistolary novel The Sorrows of Young Werther. Goethe was one of the key figures of German literature and the movement of Weimar Classicism in the late 18th and early 19th centuries; this movement coincides with Enlightenment, Sentimentalism (Empfindsamkeit), Sturm und Drang and Romanticism. The author of the scientific text Theory of Colours, his influential ideas on plant and animal morphology and homology were extended and developed by 19th century naturalists including Charles Darwin. He also served at length as the Privy Councilor of the duchy of Saxe-Weimar.

Die in zeitlicher Folge gebrachte Sammlung ergibt eine Lebensgeschichte in Gedichten, beginnend im Jahr 1756 in Frankfurt am Main und endend 1832 in Weimar. Die Formulierung 'in zeitlicher Folge' trifft auch insofern zu, "als wir hier wirklich alle Verse, die Goethe jemals gemacht hat, beisammen finden. Darunter befinden sich neben den vielzitierten Meistergedichten Hunderte von Gelegenheitsversen und Versspielereien, namentlich des alten Dichters." Bücherei und Bildung

Eine illustrierte Ausgabe von Goethes „Erlkönig“ bringt die berühmte Ballade auf faszinierende Weise zurück ins Interesse. Die Bilder begleiten den dramatischen Ritt des Vaters mit dem sterbenden Kind und laden dazu ein, sich intensiver mit Goethes Werk und seinem Einfluss auf uns auseinanderzusetzen.

Balladen kann man sich besser durch Bilder merken. Hier finden Sie eine Ballade im Kamishibai. Auf der Vorderseite ist das Bild zu sehen und auf der Rückseite findet man den Text. Ballade im Kamishibai: Der Erlkönig von Johann Wolfgang von Goethe

Illustrierte Gedichte: In diesem Buch sind die zwei kurzen Goethe-Gedichte "Meeres Stille" und "Glückliche Fahrt" in Bilder übersetzt worden, die durch ihre einfache aber sehr sinnliche und ruhige Art die Betrachtenden in Bann zu ziehen vermögen und man am Ende des Buches gleich nochmals von vorne beginnen will! Die comic-ähnlichen Zeichnungen mit stimmungsvollem Hintergrund passen wunderbar zu den Worten - mehr muss man nicht sagen! Sehr schön! Ab 6 Jahren, ausgezeichnet, Urs Geissbühler.

Hier sind alle Gedichte vereint, die in der Werkausgabe des Deutschen Klassiker Verlags auf mehrere Bände verteilt sind – so kompakt und doch ansprechend und leserfreundlich wurde dieser zentrale Teil des Goetheschen Œuvre noch nie dargeboten. Die maßgebliche Edition zu einem sensationellen Preis. Diese Ausgabe enthält, nach Werkgruppen geordnet, sämtliche Gedichte Goethes in der mustergültigen Textgestalt des Deutschen Klassiker Verlags: die Sammlungen von 1815 und 1827 nebst Ergänzungen; den Westöstlichen Divan; Zyklen, die, wie die frühen Annette-Gedichte und die Dornburger Gedichte von 1828, nicht in die Ausgabe letzter Hand Eingang gefunden haben; die Xenien von Schiller und Goethe; in Briefen verstreute Texte und Gelegenheitsgedichte an, auf und gegen Personen; die Römischen Elegien und die Venezianischen Epigramme sowie Übergangenes, Unterdrücktes und Fragmente aus dem Nachlaß.

Goethes Werke und Schriften werden in einer umfassenden Auswahl präsentiert, die Gedichte, Dramen, Erzählungen und autobiografische Texte umfasst. Die Sammlung beinhaltet den West-östlichen Divan, Versepen, verschiedene Dramen und Erzählungen sowie Auszüge aus seinen ästhetischen und naturwissenschaftlichen Schriften.

Goethes Einakter "Die Geschwister" gehört in die frühe Weimarer Zeit. Der Dichter hatte die Fähigkeit gewonnen, Tief-Persönliches in einem Symbol auszudrücken, und Geschwisterlichkeit hatte er früher in seinen Beziehungen zu seiner Schwester Cornelia empfunden, erlebte er jetzt auch im Verhältnis zu Frau von Stein. - Das Schäferspiel "Die Laune des Verliebten" ist Goethes dramatischer Erstling, ein Stück aus dem Rokoko, das Werk eines Achtzehnjährigen.

Nowy przekład dzieła Goethego to pełne wydanie z oryginalnymi „Notami i rozprawami dla lepszego rozumienia Dywanu Zachodu i Wschodu” oraz obszernym posłowiem prof. Wojciecha Kunickiego. Tekst, jak wszystkie dzieła Goethego, ma charakter kokieteryjny i aktorski, z lirycznymi rolami, które unikają jednoznacznych znaczeń, koncentrując się na wolności słownego wyrazu (Freisinn). Kluczowa zasada poetycka to wielokrotne odzwierciedlenie w różnych postaciach. Poeta wciela się w Hafiza, Hatemę, Mirzę, kupca, podróżnego, Beduina, a także w postacie historyczne, takie jak Timur, Aleksander czy Napoleon, które odzwierciedlają jego wyobrażenia o wielkości. To pierwszy w historii literatury tom poetycki, który, nawiązując do „historii powszechnej”, wskazuje na różnorodność świata poprzez słowo. Mimo że zbiór ma elementy błazeństwa i żartu, nauka traktuje go z powagą, ignorując mistyczny wymiar poezji. Poeta, choć błazeński, może być także mistycznie święty, co podkreśla złożoność i głębię jego twórczości.

Johann Wolfgang von Goethes und Friedrich Schillers berühmtes Werk der Xenien ist ein polemischer Angriff auf den Literaturbetrieb und die spießbürgerlichen Zeitgenossen, bestehend aus Distichen, die Hexameter und Pentameter kombinieren. Angriffe auf Persönlichkeiten wie Friedrich Nicolai und Christoph Martin Wieland führten 1797 zu einem literarischen "Xenienkampf" mit Gegen-Xenien. Die Originalausgabe dieses Meisterwerks bietet durch ihre Authentizität einen besonderen Reiz. Leser können Handlung und Themen auf ihr eigenes Leben und die heutige Gesellschaft projizieren. Diese vollständige und ungekurzte Ausgabe richtet sich an Literaturbegeisterte, Theaterinteressierte, als Filmvorlage und für den Schulgebrauch mit Zeilennummerierung. Lassen Sie sich von einem Werk faszinieren, das auch heute noch relevant ist. Weitere Werke des Autors sind unter anderem: Faust. Eine Tragödie, Iphigenie auf Tauris, Torquato Tasso, Die Laune des Verliebten, Götz von Berlichingen, Claudine von Villa Bella, Egmont, Der Triumph der Empfindsamkeit, Hermann und Dorothea, Die Leiden des jungen Werther und viele andere. Entdecken Sie auch die Werke von Friedrich Schiller und Gotthold Ephraim Lessing.

Der ›Insel-Goethe‹ enthält in sechs Bänden die wichtigsten Werke: Gedichte, Dramen, Romane, Erzählungen, autobiographische und ästhetische Schriften, Maximen und Re- flexionen. Eine Ausgabe für den interessierten Leser ebenso wie für Studierende. Die Texte und Kommentare beruhen auf der Edition des Deutschen Klassiker Verlags.

Kniha Goetheho lyrických básní mnohdy s milostnou tématikou a přírodními motivy.

Poutník Marek přichází k tajuplnému klášteru v horách, v němž žije dvanáct mužů, představitelů dvanácti proudů lidstva. Pod vedením třináctého, zvaného Humanus, tady společně pracují pro duchovní vzestup lidstva. Jejich práce se nese ve znamení kříže ovinutého růžemi, ve znamení Krista. V něm se lidstvo může bratrsky sjednotit - takový je Goethův ideál, ideál esoterního křesťana

Slovenské vydanie autobiografického diela, ktorým Goethe dokumentoval osudy a pocity počas jednej z etáp jeho života prežitej v Taliansku, kam utiekol pred vtedajšou nemeckou spoločnosťou. Knižka je denníkom, obsahujúcim mnoho autorových subjektívnych pocitov z návštevy cudzej krajiny, zo vzťahovči z hľadania seba samého. Okrem samotných osudov autora nájdete v knižke aj opisy samotného Talianska, jeho prírody či umenia.