FROM THE GLOBALLY BESTSELLING AUTHOR OF GIRL WITH A PEARL EARRING 'A triumph... a brilliant idea carried out with confidence and brio and a deep love of an extraordinary city. The ingenuity of the time-skipping is beyond admiration' PHILIP PULLMAN 'Spellbinding.... Chevalier at her fabulous best. A rich, vivid and gently enchanting novel' ELIF SHAFAK Venice, 1486. Across the lagoon lies Murano. Time flows differently here - like the glass the island's maestros spend their lives learning to handle. Women are not meant to work with glass, but Orsola Rosso flouts convention to save her family from ruin. She works in secret, knowing her creations must be perfect to be accepted by men. But perfection may take a lifetime. Skipping like a stone through the centuries, we follow Orsola as she hones her craft through war and plague, tragedy and triumph, love and loss. The beads she creates will adorn the necks of empresses and courtesans from Paris to Vienna - but will she ever earn the respect of those closest to her? Tracy Chevalier is a master of her own craft, and The Glassmaker is vivid, inventive, spellbinding: a virtuoso portrait of a woman, a family and a city that are as everlasting as their glass.
There is a fine line between coincidence and fate... In London 1799, Dora Blake is an aspiring jewellery artist who lives with her uncle in what used to be her parents' famed shop of antiquities. When a mysterious Greek vase is delivered, Dora is intrigued by her uncle's suspicious behaviour and enlists the help of Edward Lawrence, a young man seeking acceptance into the Society of Antiquaries. Edward sees the ancient vase as key to unlocking his academic future. Dora sees it as a chance to restore her parents' shop to its former glory, and to escape her uncle. But what Edward discovers about the vase has Dora questioning everything she has ever known, about her life, her family and the world as she knows it. As Dora uncovers the truth she starts to realise that some mysteries are buried, and some doors are locked, for a reason. Gorgeously atmospheric and deliciously page-turning, Pandora deals with themes of secrets and deception, love and fulfilment, fate and hope.
1932. After the Great War took both her beloved brother and her fiancé, Violet Speedwell has become a "surplus woman," one of a generation doomed to a life of spinsterhood after the war killed so many young men. Yet Violet cannot reconcile herself to a life spent caring for her grieving, embittered mother. After countless meals of boiled eggs and dry toast, she saves enough to move out of her mother's place and into the town of Winchester, home to one of England's grandest cathedrals. There, Violet is drawn into a society of broderers--women who embroider kneelers for the Cathedral, carrying on a centuries-long tradition of bringing comfort to worshippers. Violet finds support and community in the group, fulfilment in the work they create, and even a growing friendship with the vivacious Gilda. But when forces threaten her new independence and another war appears on the horizon, Violet must fight to put down roots in a place where women aren't expected to grow.
A set of bewitching medieval tapestries hangs today in a protected chamber in Paris. They appear to portray a woman's seduction of a unicorn, but the story behind their making is unknown - until now. Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house - mother and daughter, servant and lady-in-waiting - before taking his designs north to the Brussels workshop where the tapestries are to be woven. There, master-weaver Georges de la Chapelle risks everything he has on finishing the tapestries - his finest, most intricate work - on time for his exacting French client. Ill-prepared for temptation and seduction, he and his family are consumed by the project and by their dealings with the hot-blooded painter from Paris. The results change all their lives - lives that have been captured in the tapestries, for those who know where to look.
The new Sunday Times bestseller from David Nicholls - 'That most rare and coveted of literary feats: a popular novel of serious merit, a bestseller that will also endure.' Observer
Nella prima metà del XIX secolo James e Sadie Goodenough giungono nella Palude Nera dell’Ohio dopo aver abbandonato la fattoria dei Goodenough nel Connecticut. Il padre di James, un vecchio scorbutico cui Sadie non è mai andata a genio, ha parlato chiaro un giorno: meglio che il suo secondogenito, e la sua giovane e troppo prolifica consorte, andassero a cercare fortuna altrove, all’ovest, magari, dove la terra abbonda. La Palude Nera è una landa desolata: l’acqua puzza di marcio, il fango scuro si appiccica alla pelle e ai vestiti e la malaria d’estate si porta via sempre qualcuno. Anziché spingersi nella prateria dove la terra è buona e solida sotto i piedi, James Goodenough decide però di costruire la sua casa di legno proprio nella Palude Nera, in riva al fiume Portage. La legge dell’Ohio prevede che un colono possa fare sua la terra se riesce a piantarvi un frutteto di almeno cinquanta alberi. Una sfida irresistibile per James Goodenough che ama gli alberi più di ogni altra cosa, poiché gli alberi durano e tutte le altre creature invece attraversano il mondo e se ne vanno in fretta. In quella terra perciò, dove gli acquitrini si alternano alla selva più fitta, James pianta e cura poi con dedizione i suoi meli: un magnifico frutteto di cinque file di alberi col piccolo vivaio in disparte. Un frutteto che diventa la sua ossessione; la prova, ai suoi occhi, che la natura selvaggia della terra, con il suo groviglio di boschi e pantani, si può domare. La malaria si porta via cinque dei dieci figli dei Goodenough, ma James non piange, scava la fossa e li seppellisce. Si fa invece cupo e silenzioso quando deve buttare giù un albero. La moglie, Sadie, beve troppa acquavite e diventa troppo ciarliera quando John Chapman, l’uomo che procura i semi delle piante alle fattorie lungo il Portage, si ferma a cena. In quelle occasioni, James la vede con altri occhi: scorge il turgore dei seni sotto il vestito azzurro, i fianchi rotondi e sodi nonostante i dieci figli. Ma poi non se ne cura. Finché, un giorno, la natura selvaggia non della terra, ma di Sadie esplode e segna irrimediabilmente il destino dei Goodenough nella Palude Nera, in primo luogo quello di Robert, il figlio dagli occhi d’ambra quieti e intelligenti, e della dolce e irresoluta Martha. Romanzo che si iscrive nella tradizione della grande narrativa americana di frontiera, I frutti del vento è un’opera in cui Tracy Chevalier penetra nel cuore arido, selvaggio e inaccessibile della natura e degli uomini, là dove crescono i frutti più ambiti e più dolci che sia dato cogliere.
Dans les années 1810, sur la côte du Dorset, Mary Anning découvre ses premiers fossiles et se passionne pour ces "prodigieuses créatures" dont l'existence remet en question les théories sur la création du monde. Elle se heurte aux préjugés de la communauté scientifique, entièrement composée d'hommes, qui la confine dans un rôle de figuration. Elle trouve heureusement une alliée en la personne d'Elizabeth Philpot, vieille fille intelligente, qui l'accompagne dans ses explorations
Apres un revers sentimental, Honor fuit les regards compatissants des membres
de sa communauté quaker. Elle s’embarque pour les États-Unis avec sa sour,
Grace, qui doit rejoindre son fiancé. A l’éprouvante traversée s’ajoute
bientôt une autre épreuve : la mort de Grace, emportée par la fievre jaune.
Honor décide néanmoins de poursuivre son voyage jusqu’a Faithwell, une petite
bourgade de l’Ohio. C'est dans cette Amérique encore sauvage et soumise aux
lois esclavagistes, contre lesquelles les quakers s’insurgent, qu’elle va
essayer de se reconstruire. Portrait intime de l’éclosion d’une jeune femme,
témoignage précieux sur la vie des quakers et le «chemin de fer clandestin» –
ce réseau de routes secretes des esclaves en fuite –, La derniere fugitive
confirme la maîtrise romanesque de l’auteur du best-seller La jeune fille a la
perle.
London, 1859- By the time Dora Damage discovers that her husband Peter's hands have arthritis, it is too late - their book-binding business is in huge debt and the family is on the brink of entering the poorhouse. But Dora proves that she is more than just a housewife and mother. She resolves to rescue her family at any price - and she finds herself illegally binding expensive volumes of pornography and irrevocably entangled in a web of sex, money and deceit.
