Massimo Ortelio Livres

Envoûtant, foisonnant, un roman magistral, dont la construction éblouissante entremêle intrigue présente et échos du passé. Par la lauréate du prix Pulitzer 2006, une oeuvre déjà culte outre-atlantique, portée par la modernité d'une voix inoubliable ; une énigme littéraire qui nous plonge au coeur des périodes les plus tragiques de l'histoire ; un vibrant plaidoyer en faveur de la tolérance et de la transmission. 1996. Quand Hanna, jeune Australienne, restauratrice passionnée de manuscrits anciens, apprend qu'on veut lui confier la célèbre Haggadah de Sarajevo, elle sent qu'il s'agit de la chance de sa vie. Plus à l'aise en compagnie des livres que de ses contemporains, elle part à la rencontre de ce précieux manuscrit hébreu, ressurgi des Balkans en ruine. Au fil de minuscules indices, Hanna va peu à peu percer les secrets de ceux qui ont tenu entre leurs mains cet ouvrage sacré. De la jeune adepte de la Kabbale qui le sauve de l'Inquisition espagnole, à l'intellectuel musulman qui le soustrait à la menace nazie, en passant par le censeur vénitien qui le fait échapper à l'autodafé, une odyssée flamboyante dont Hanna s'apprête à écrire une nouvelle page, qui va la mener de désillusions en découvertes, de reconstruction en amour naissant, sur les traces de sa propre histoire...

Nella primavera del 1888, dopo la morte della zia, Harriet Baxter, trentacinquenne nubile con una piccola rendita, decide di lasciare Londra per Glasgow. In un anno di fervore artistico, coincidente con l'Esposizione Internazionale, Harriet si immerge nella vita vibrante della città, attirata non tanto dai festeggiamenti quanto dalle strade affollate. Durante una passeggiata, soccorre una signora anziana, ricevendo in cambio un invito a casa dei Gillespie, una famiglia di modeste condizioni. Qui incontra Elspeth, la madre esuberante, Mabel, la figlia amareggiata, Kenneth, il figlio affascinante ma tormentato, e Annie, la moglie che lotta con le difficoltà quotidiane e una vocazione artistica irrisolta. Al centro di questo microcosmo c'è Ned Gillespie, un giovane pittore talentuoso ma in difficoltà, che colpisce profondamente Harriet. La sua convinzione di dover salvare Ned dalla povertà e dalla sua famiglia diventa una missione, trasformandosi in un'ossessione che porterà inevitabilmente a conseguenze tragiche. La determinazione di Harriet di liberare Ned dalla sua indigenza e dalle pressioni familiari segnerà il corso della sua vita e di quella del pittore, in un intreccio di destini che esplora il confine tra altruismo e ossessione.

Aux États-Unis, Massachusetts, 1660-1715. Installé avec une poignée de pionniers anglais sur les terres de Martha’s Vineyard, une île au large de Cap Cod, le pasteur John Mayfield, homme de foi et grand humaniste, s’est donné pour mission de repousser les frontières du paganisme et d’amener au calvinisme les tribus Wampanoag locales. Un jour, alors qu’elle explore l’île, Bethia, la fille du pasteur, croise le chemin du jeune Cheeshahteaumack. Une rencontre incongrue, premier pas vers une amitié aussi inébranlable que secrète. Curieuse, Bethia se laisse initier aux rites païens des Wampanoag. En échange, la jeune fille accepte d’enseigner l’anglais et les Saintes Écritures à son nouvel ami, qu’elle rebaptise Caleb. Mais lorsqu’une épidémie de variole emporte sa tribu, Caleb trouve refuge auprès de John Mayfield. Intrigué par sa formidable intelligence, le pasteur va faire de ce jeune Indien un modèle d’intégration et de conversion. Son obsession : l’envoyer à Harvard afin d’en faire le porte parole de Dieu. Dans l’ombre de Caleb, Bethia tente elle aussi de trouver un chemin pour dépasser sa condition de femme et assouvir sa soif de connaissance…

Dans les années 1810, sur la côte du Dorset, Mary Anning découvre ses premiers fossiles et se passionne pour ces "prodigieuses créatures" dont l'existence remet en question les théories sur la création du monde. Elle se heurte aux préjugés de la communauté scientifique, entièrement composée d'hommes, qui la confine dans un rôle de figuration. Elle trouve heureusement une alliée en la personne d'Elizabeth Philpot, vieille fille intelligente, qui l'accompagne dans ses explorations

FROM THE GLOBALLY BESTSELLING AUTHOR OF GIRL WITH A PEARL EARRING 'A triumph... a brilliant idea carried out with confidence and brio and a deep love of an extraordinary city. The ingenuity of the time-skipping is beyond admiration' PHILIP PULLMAN 'Spellbinding.... Chevalier at her fabulous best. A rich, vivid and gently enchanting novel' ELIF SHAFAK Venice, 1486. Across the lagoon lies Murano. Time flows differently here - like the glass the island's maestros spend their lives learning to handle. Women are not meant to work with glass, but Orsola Rosso flouts convention to save her family from ruin. She works in secret, knowing her creations must be perfect to be accepted by men. But perfection may take a lifetime. Skipping like a stone through the centuries, we follow Orsola as she hones her craft through war and plague, tragedy and triumph, love and loss. The beads she creates will adorn the necks of empresses and courtesans from Paris to Vienna - but will she ever earn the respect of those closest to her? Tracy Chevalier is a master of her own craft, and The Glassmaker is vivid, inventive, spellbinding: a virtuoso portrait of a woman, a family and a city that are as everlasting as their glass.

"One life-changing summer Charlie meets Fran... In 1997, Charlie Lewis is the kind of boy you don't remember in the school photograph. His exams have not gone well. At home he is looking after his father, when surely it should be the other way round, and if he thinks about the future at all, it is with a kind of dread. Then Fran Fisher bursts into his life and despite himself, Charlie begins to hope. But if Charlie wants to be with Fran, he must take on a challenge that could lose him the respect of his friends and require him to become a different person. He must join the Company. And if the Company sounds like a cult, the truth is even more appalling. The price of hope, it seems, is Shakespeare."--Publisher description

NATIONAL BESTSELLER It’s 1893, and at the Chicago World’s Fair, Louis Comfort Tiffany makes his debut with a luminous exhibition of innovative stained-glass windows that he hopes will earn him a place on the international artistic stage. But behind the scenes in his New York studio is the freethinking Clara Driscoll, head of his women’s division, who conceives of and designs nearly all of the iconic leaded-glass lamps for which Tiffany will long be remembered. Never publicly acknowledged, Clara struggles with her desire for artistic recognition and the seemingly insurmountable challenges that she faces as a professional woman. She also yearns for love and companionship, and is devoted in different ways to five men, including Tiffany, who enforces a strict policy: He does not employ married women. Ultimately, Clara must decide what makes her happiest—the professional world of her hands or the personal world of her heart.

From the bestelling author of GIRL IN HYACINTH BLUE, "A vivid exploration of one of the most beloved Renoir paintings in the world, done with a flourish worthy of Renoir himself" (USA Today) With her richly textured novels, Susan Vreeland has offered pioneering portraits of artists' lives. As she did in Girl in Hyacinth Blue, Vreeland focuses on a single painting, Auguste Renoir's instantly recognizable masterpiece, which depicts a gathering of Renoir's real friends enjoying a summer Sunday on a café terrace along the Seine. Narrated by Renoir and seven of the models, the novel illuminates the gusto, hedonism, and art of the era. With a gorgeous palette of vibrant, captivating characters, Vreeland paints their lives, loves, losses, and triumphs so vividly that "the painting literally comes alive" (The Boston Globe).

À Ferrare, au couvent de Santa Catarina, nombreuses sont les jeunes filles nobles mariées au Christ à défaut de dot. Tel est le sort de Serafina, seize ans à peine, enfermée de force par sa famille suite à sa liaison avec un simple chanteur. Insoumise, Serafina se heurte bientôt à l'ordre établi par l'abbesse Chiara et à la piété exacerbée de sœur Umiliana, prête à affamer le corps des novices pour libérer leur esprit... Isolée parmi les nonnes cloîtrées en proie à d'étranges extases mystiques, la jeune rebelle peut compter sur la bienveillance de Zuana, une nonne érudite, qui soigne tous les maux du couvent, y compris les blessures que les sœurs s'infligent à elles-mêmes. Mais jusqu'où est-elle prête à l'aider ? Tandis que les forces de la Contre-Réforme grondent au-dehors pour durcir les règles en vigueur dans les couvents, Serafina va tout tenter pour s'enfuir. Le début de guerres intestines qui vont bouleverser la vie des sœurs à jamais...

A set of bewitching medieval tapestries hangs today in a protected chamber in Paris. They appear to portray a woman's seduction of a unicorn, but the story behind their making is unknown - until now. Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house - mother and daughter, servant and lady-in-waiting - before taking his designs north to the Brussels workshop where the tapestries are to be woven. There, master-weaver Georges de la Chapelle risks everything he has on finishing the tapestries - his finest, most intricate work - on time for his exacting French client. Ill-prepared for temptation and seduction, he and his family are consumed by the project and by their dealings with the hot-blooded painter from Paris. The results change all their lives - lives that have been captured in the tapestries, for those who know where to look.