William Somerset Maugham cultivait un style de prose clair et direct, une pureté que certains critiques attribuaient à sa maîtrise précoce du français. Malgré les difficultés initiales et les périodes de quasi-famine consacrées à son écriture, Maugham forgea une carrière qui s'écarta délibérément des courants expérimentaux du modernisme. Ses œuvres exploraient souvent la nature humaine et la société avec un regard observateur et détaché. Les lecteurs apprécient sa capacité à créer des récits à la fois accessibles et incisifs.
William Somerset Maugham, romancier, dramaturge, conteur, a écrit plus de cent vingt nouvelles. Les neuf retenues ici, grâce à la variété des thèmes et des registres, à la tonalité des récits, révèlent toute la palette de l'auteur et permettent d'apprécier la remarquable concision de son style.
Six essais plutôt disparates, en forme de "promenade littéraire". Portrait d'un snob anglais conscient d'être le représentant d'une ancienne famille comtale, les Hare de Hurstmonceux - Mini-biographie du peintre espagnol Zurbaran (17e siècle) - Considérations sur l'essor et la décadence du roman policier - Souvenirs à propos de romanciers célèbres: H.G. Wells, H. James, E. Wharton - etc.
This final classic collection reveals Somerset Maugham's unique talent for exposing and exploring the bitter realities of human relationships in tales of love, infidelity, passion and prejudice. The stories range from "The Lotus Eater" where a man envisions a life of bliss in the Mediterranean, to the astringent tales of "The Outstation" and "The Back of Beyond" in Malaya and South East Asia.
Somerset Maugham's irony and cool detachment made him an acknowledged master of the short story. The stories collected here are typical of Maugham's wry perception of human weakness and his unique talent for evoking a sense of time and place. They are set in familiar Maugham territory - the South Seas, Europe and America - but they are all concise and compelling dramas played out by unforgettable characters. The collection includes some of Maugham's most famous stories: "The Alien Corn," "Flotsam and Jetsam" and particularly "The Vessel of Wrath," a surprising tale of burgeoning love between a repressed mission lady and a drunken reprobate.
Charles Strickland, a conventional stockbroker abandons his wife and children for Paris and Tahiti, to live his life as a painter. Whilst his betrayal of family, duty and honour gives him the freedom to achieve greatness, his decision leads to an obsession which carries severe implications.
These 30 short stories, comprising Somerset Maugham's first collection, are set in locations ranging from England, France and Spain to the silver sands of the South Pacific. They include Rain, The Three Fat Women of Antibes, The Voice of the Turtle, and Before the Party.
Though W. Somerset Maugham was also famous for his novels and plays, it has been argued that in the short story he reached the pinnacle of his art and it was his true métier. These expertly told tales, with their addictive plot twists and vividly drawn characters, are both galvanizing as literature and wonderfully entertaining. In the adventures of his alter ego Ashenden, a writer who (like Maugham himself) turned secret agent in World War I, as well as in stories set in such far-flung locales as South Pacific islands and colonial outposts in Southeast Asia, Maugham brings his characters vividly to life, and their humanity is more convincing for the author's merciless exposure of their flaws and failures. Whether the chasms of misunderstanding he plumbs are those between colonizers and natives, between a missionary and a prostitute, or between a poetry-writing woman and her uncomprehending husband, Maugham brilliantly displays his irony, his wit, and his genius in the art of storytelling.
