'Perhaps when Orwell described sheer egoism as a necessary quality for a writer, he was not thinking about the sheer egoism of a female writer. Even the most arrogant female writer has to work over time to build an ego that is robust enough to get her through January, never mind all the way to December.' Deborah Levy
Autobiographie Vivante Séries
Cette série plonge dans les profondeurs de l'histoire personnelle et de l'identité, tissant des souvenirs et le moment présent. Elle explore les relations complexes entre la famille, l'exil et l'expression artistique. Chaque volet offre un regard introspectif sur les expériences de vie et la quête de sa propre voix dans des circonstances difficiles. C'est un voyage littéraire sur la résilience de l'esprit humain et le pouvoir des mots.


Ordre de lecture recommandé
- 1
- 2
The Cost of Living
- 208pages
- 8 heures de lecture
A GUARDIAN BEST BOOK OF THE 21ST CENTURY WINNER OF THE PRIX FEMINA ETRANGER 2020 Following on from the critically acclaimed Things I Don't Want to Know, discover the powerful second memoir in Deborah Levy's essential three-part 'Living Autobiography'. 'I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer _________________________________ 'Life falls apart. We try to get a grip and hold it together. And then we realise we don't want to hold it together . . .' The final instalment in Deborah Levy's critically acclaimed 'Living Autobiography', Real Estate, is available now. _________________________________ 'I just haven't stopped reading it . . . it talks so beautifully about being a woman' Billie Piper on BBC Radio 4's Desert Island Discs 'It is the story of every woman throughout history who has expended her love and labour on making a home that turns out to serve the needs of everyone except herself. Wonderful' Guardian 'Wise, subtle and ironic, Levy's every sentence is a masterpiece of clarity and poise . . . a brilliant writer' Daily Telegraph 'A graceful and lyrical rumination on the questions, "What is a woman for? What should a woman be?"' Tatler 'Extraordinary and beautiful, suffused with wit and razor-sharp insights' Financial Times