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24 Images Séries

Cette série explore en profondeur l'art du cinéma, en examinant 24 longs métrages et documentaires influents. Chaque volume offre un regard complet sur la création cinématographique, son contexte et son impact. Les passionnés de cinéma y trouveront une riche source d'aperçus sur les chefs-d'œuvre qui ont façonné le paysage cinématographique. C'est une lecture essentielle pour quiconque cherche à mieux comprendre la puissance et les nuances du film.

The Cinema of Italy
The Cinema of Spain and Portugal

Ordre de lecture recommandé

  • The Cinema of Spain and Portugal

    • 288pages
    • 11 heures de lecture
    3,5(4)Évaluer

    An overview of Spanish and Portuguese cinema, this volume contains 24 essays, each on a separate seminal film from the region. Films from the early era of cinema up to the present day are featured, from directors such as Flori?n Rey, Juan Antonio Bardem, Luis Bunuel, V?ctor Erice, Manuel Guti?rrez Arag?n, Pedro Almod?var and Joao Cesar Monteiro. As well as discussions of genre and influences, "The Cinema of Spain & Portugal" includes in depth studies of films such as "La Aldita Maldita" (1930, 1947), "Death of a Cyclist" (1955), "Viridiana" (1961), "Spirit of the Beehive" (1973), "Abraham's Valley" (1993), "Tierra" (1995), "All About My Mother" (1999), and "Torrente" (1998).

    The Cinema of Spain and Portugal

  • The Cinema of Italy

    • 288pages
    • 11 heures de lecture
    4,0(7)Évaluer

    The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and stylistic features of twenty-four of the most important Italian sound films. Viewing Italian cinema at the intersection of history, politics, art and popular culture, the 24 concise essays of this anthology contextualize each film within both Italian and Western film culture. Alongside the crucial lessons of neorealist masterpieces such as Rossellini's Paisan and De Sica's The Bicycle Thief, this collection looks at how Italian cinema has confronted both the nation's history (1860, Senso, The Conformist, Lamerica), the so-called -Southern question- (Salvatore Giuliano, Padre Padrone), as well as modern configurations of labor and gender relationships through the films of Camerini, De Santis, Olmi, Pasolini, Antonioni, Wertmuller, and the Taviani Brothers. The Cinema of Italy also considers the very personal works of Fellini, Ferreri and Moretti and gives special attention to those film-makers (Argento and Leone) whose cinema directly addresses such international film genres as horror and the western.

    The Cinema of Italy