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Christie in Love, Magnificence, The Churchill Play, Weapons of Happiness, Epsom Downs, Sore Throats

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Howard Brenton is a prominent and provocative British dramatist. Christie in Love explores the life of John Christie, a 19th-century serial killer, showcasing Brenton's unique perspective on outcasts. Unlike Genet, Brenton maintains a clearer strategy, revealing the unreality of societal roles in a complex universe. In Magnificence, he highlights the struggles of ordinary people against the bourgeois state, earning praise as a "wonderful piece of theatre" that captures modern life in a vibrant style. The Churchill Play resurrects Churchill to reflect on the future he envisioned for England, prompting audiences to reconsider the past that shapes their current trajectory. Weapons of Happiness presents a revolutionary vision marked by creative ambiguity and the power to inspire and provoke thought. Epsom Downs is likened to Bartholomew Fair, depicting a lively public festival that draws a diverse crowd in a rich, Bruegel-like tableau. The collection concludes with Sore Throats, a sharp and humorous critique of sexual desires within and outside marriage, noted for its exceptional theatrical power and boldness.

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Plays, Howard Brenton

Langue
Année de publication
1998
Reliure
(souple),
État du livre
Abîmé
Prix
3,03 €

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Titre
Plays
Sous-titre
Christie in Love, Magnificence, The Churchill Play, Weapons of Happiness, Epsom Downs, Sore Throats
Langue
Anglais
Publié
1998
Format
souple
Pages
406
ISBN10
0413404307
ISBN13
9780413404305
Séries
Description
Howard Brenton is a prominent and provocative British dramatist. Christie in Love explores the life of John Christie, a 19th-century serial killer, showcasing Brenton's unique perspective on outcasts. Unlike Genet, Brenton maintains a clearer strategy, revealing the unreality of societal roles in a complex universe. In Magnificence, he highlights the struggles of ordinary people against the bourgeois state, earning praise as a "wonderful piece of theatre" that captures modern life in a vibrant style. The Churchill Play resurrects Churchill to reflect on the future he envisioned for England, prompting audiences to reconsider the past that shapes their current trajectory. Weapons of Happiness presents a revolutionary vision marked by creative ambiguity and the power to inspire and provoke thought. Epsom Downs is likened to Bartholomew Fair, depicting a lively public festival that draws a diverse crowd in a rich, Bruegel-like tableau. The collection concludes with Sore Throats, a sharp and humorous critique of sexual desires within and outside marriage, noted for its exceptional theatrical power and boldness.