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- 144pages
- 6 heures de lecture
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First published in 1893, this narrative follows a young Indonesian man who, after receiving a Western education, becomes a Muslim radical due to his inability to meet modern expectations. His experience reflects a broader sense of alienation from Western modernity, similar to that felt in many Western suburbs and among the middle classes in the Islamic world. The story is rooted in the colonial era, as the protagonist, Adam Silver (Aboe Bakar), is the stepson of a colonial planter and the son of the planter's concubine, who had an affair with an Arab trader. The mixed-race planter is portrayed as a naïve figure more concerned with wealth and social perception than with his family. Upon failing his studies in Holland, Adam returns to the Indies to find his inheritance significantly less than expected, leading to the end of his relationship with a Dutch girlfriend. He soon finds a native replacement, but his status as a "native" complicates his identity, especially as his mother advises him to embrace Islam. While the author draws on interviews for authenticity, the portrayal of Islam may not be entirely accurate. The feuilleton format, with its short chapters, limits character development and often caters to a newspaper audience, yet it effectively critiques the patronizing attitudes of Western readers toward natives and Muslims.
Achat du livre
Aboe Bakar, Paul Adriaan Daum
- Langue
- Année de publication
- 1980
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- État du livre
- Bon
- Prix
- 10,49 €
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- Titre
- Aboe Bakar
- Langue
- Néerlandais
- Auteurs
- Paul Adriaan Daum
- Éditeur
- Thomas & Eras
- Publié
- 1980
- Format
- autre
- Pages
- 144
- ISBN10
- 9062429203
- ISBN13
- 9789062429202
- Séries
- Mots clés
- Thème historique, Histoires vraies, Esotérisme & Religion, Romans historiques, Autre histoire, Critique sociale
- Description
- First published in 1893, this narrative follows a young Indonesian man who, after receiving a Western education, becomes a Muslim radical due to his inability to meet modern expectations. His experience reflects a broader sense of alienation from Western modernity, similar to that felt in many Western suburbs and among the middle classes in the Islamic world. The story is rooted in the colonial era, as the protagonist, Adam Silver (Aboe Bakar), is the stepson of a colonial planter and the son of the planter's concubine, who had an affair with an Arab trader. The mixed-race planter is portrayed as a naïve figure more concerned with wealth and social perception than with his family. Upon failing his studies in Holland, Adam returns to the Indies to find his inheritance significantly less than expected, leading to the end of his relationship with a Dutch girlfriend. He soon finds a native replacement, but his status as a "native" complicates his identity, especially as his mother advises him to embrace Islam. While the author draws on interviews for authenticity, the portrayal of Islam may not be entirely accurate. The feuilleton format, with its short chapters, limits character development and often caters to a newspaper audience, yet it effectively critiques the patronizing attitudes of Western readers toward natives and Muslims.