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- 64pages
- 3 heures de lecture
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Since the principles of perspective were first demonstrated in Renaissance Italy, the interpretation of depth and space has held a central place in Western art. From the 15th century onwards, artists have endeavoured to present three-dimensional images that are as close as possible to what we actually see. When the Italian artist Alberti published his geometrical method for re-creating accurate perspectives, he transformed the art world, and led artists such as Leonardo da Vinci to produce ever more life-like illusions of space and distance. In the 20th century, artists such as Picasso often rejected classical principles in favour of distorted viewpoints.
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Eyewitness Guides - 98: Perspective, Alison Ambrose, Alison Cole
- Langue
- Année de publication
- 1992
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- État du livre
- Très bon
- Prix
- 6,99 €
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- Titre
- Eyewitness Guides - 98: Perspective
- Sous-titre
- Discover the Theory and Techniques of Perspective, from the Renaissance to Pop Art
- Langue
- Anglais
- Auteurs
- Alison Ambrose, Alison Cole
- Éditeur
- Dorling Kindersley
- Publié
- 1992
- Format
- rigide
- Pages
- 64
- ISBN10
- 0751361534
- ISBN13
- 9780751361537
- Séries
- Mots clés
- Nonfiction, Art / Culture, Beaux-arts, Peinture & Sculpture, Art, Catalogues d'expositions, Histoire et théorie de l’art, Histoire de l'art
- Description
- Since the principles of perspective were first demonstrated in Renaissance Italy, the interpretation of depth and space has held a central place in Western art. From the 15th century onwards, artists have endeavoured to present three-dimensional images that are as close as possible to what we actually see. When the Italian artist Alberti published his geometrical method for re-creating accurate perspectives, he transformed the art world, and led artists such as Leonardo da Vinci to produce ever more life-like illusions of space and distance. In the 20th century, artists such as Picasso often rejected classical principles in favour of distorted viewpoints.