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In London, 1936, Gordon Comstock wages a losing battle against the "money god." At nearly 30, this poet, whose single book of verse has flopped, has traded a stable job for a low-paying position in a bookshop. Struggling financially and too proud to accept help, he isolates himself from friends and believes his lack of money prevents him from connecting with women, particularly the innocent Rosemary. In his shabby room, a sickly aspidistra plant symbolizes the "mingy, lower-middle-class decency" he seeks to escape. In this darkly compassionate satire, Orwell captures the oppressive nature of financial struggles, making it relatable to anyone familiar with the pressures of money. Gordon's perspective on the "money-world" reveals its ugly insanity, yet he is far from heroic. His radical rejection of the system leads him to become a monster in his own right. Orwell maintains a sharp edge throughout, culminating in a "happy" ending that raises questions about its true nature. The narrative remains fresh and often humorous, thanks to Orwell's keen attention to detail, dry wit, and exploration of both the follies and strengths of his characters, all while avoiding easy answers.
Achat du livre
Houd de sanseferia hoog, George Orwell, Else Hoog
- Langue
- Année de publication
- 1971
- product-detail.submit-box.info.binding
- (souple)
Modes de paiement
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- Titre
- Houd de sanseferia hoog
- Langue
- Néerlandais
- Auteurs
- George Orwell, Else Hoog
- Éditeur
- Meulenhoff
- Publié
- 1971
- Format
- souple
- Pages
- 270
- ISBN10
- 9029004061
- ISBN13
- 9789029004060
- Séries
- Mots clés
- Fiction, Thème historique, Classiques, Politique, 20e siècle, Cadeaux pour papy, Littérature britannique, Littérature anglaise, Grossesse, Pauvreté, Poètes et poétesses, Librairie
- Première publication
- 1936
- Titre original
- Keep the Aspidistra Flying
- Évaluation
- 3,8 sur 5
- Description
- In London, 1936, Gordon Comstock wages a losing battle against the "money god." At nearly 30, this poet, whose single book of verse has flopped, has traded a stable job for a low-paying position in a bookshop. Struggling financially and too proud to accept help, he isolates himself from friends and believes his lack of money prevents him from connecting with women, particularly the innocent Rosemary. In his shabby room, a sickly aspidistra plant symbolizes the "mingy, lower-middle-class decency" he seeks to escape. In this darkly compassionate satire, Orwell captures the oppressive nature of financial struggles, making it relatable to anyone familiar with the pressures of money. Gordon's perspective on the "money-world" reveals its ugly insanity, yet he is far from heroic. His radical rejection of the system leads him to become a monster in his own right. Orwell maintains a sharp edge throughout, culminating in a "happy" ending that raises questions about its true nature. The narrative remains fresh and often humorous, thanks to Orwell's keen attention to detail, dry wit, and exploration of both the follies and strengths of his characters, all while avoiding easy answers.