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The Gladiators

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  • 322pages
  • 12 heures de lecture

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The book is the first of a trilogy, including Darkness at Noon , and Arrival and Departure , which address idealism going wrong. This is a common theme in Koestler's work and life. Koestler uses his portrayal of the original slave revolt to examine the experience of the 20thcentury political left in Europe following the rise of a Communist government in the Soviet Union. He published it on the brink of World War II. Originally written in German, the novel was translated into English for other audiences and was published in 1939. In 1998 the British critic Geoffrey Wheatcroft wrote of the novel: "In The Gladiators , Koestler used Spartacus's revolt around 65BC to explore the search for the just city, the inevitable compromises of revolution, the conflict of ends and means, the question of whether and when it is justifiable to sacrifice lives for an abstract ideal.

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The Gladiators, Arthur Koestler

Langue
Année de publication
1981
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(souple)
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Titre
The Gladiators
Langue
Anglais
Éditeur
One 70 Press
Publié
1981
Format
souple
Pages
322
ISBN10
1939438497
ISBN13
9781939438492
Séries
Titre original
The gladiators
Évaluation
4,1 sur 5
Description
The book is the first of a trilogy, including Darkness at Noon , and Arrival and Departure , which address idealism going wrong. This is a common theme in Koestler's work and life. Koestler uses his portrayal of the original slave revolt to examine the experience of the 20thcentury political left in Europe following the rise of a Communist government in the Soviet Union. He published it on the brink of World War II. Originally written in German, the novel was translated into English for other audiences and was published in 1939. In 1998 the British critic Geoffrey Wheatcroft wrote of the novel: "In The Gladiators , Koestler used Spartacus's revolt around 65BC to explore the search for the just city, the inevitable compromises of revolution, the conflict of ends and means, the question of whether and when it is justifiable to sacrifice lives for an abstract ideal.