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Man Ray

Retrospektive/ Retrospective

Auteurs

  • Collectif d'auteurs

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  • 136pages
  • 5 heures de lecture

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Dada represents artistic free-thinking. Man Ray (1890–1976), an American photographer, painter, designer, sculptor, and filmmaker, arrived in Paris in 1921, where he was inspired by the irrationality of Dada and the surreal vision of Surrealism. He created striking images that transform perceptions of reality. This volume features a rich selection of his works from the 1920s and 30s, reproduced on coated stock to preserve their dramatic impact. Ray's innovative techniques included over and underexposure, shooting through fabrics, superimposing images, and focusing on minute details. He embraced the artificiality and strangeness that arose from breaking conventional presentation modes. The photographs are organized into five categories: general subjects (still lifes, landscapes, etc.), female figures (mainly nudes), women's faces (including Gertrude Stein), celebrity portraits (Ray, Dalí, Picasso, and others), and rayographs, which are "cameraless" compositions. Ray's photographs challenge conventional aesthetics and remain significant in the art world.

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Man Ray, Collectif d'auteurs

Langue
Année de publication
2013
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Titre
Man Ray
Sous-titre
Retrospektive/ Retrospective
Langue
Anglais, Allemand
Éditeur
Die Galerie
Publié
2013
Format
rigide
Pages
136
ISBN10
392578277X
ISBN13
9783925782770
Séries
Évaluation
4 sur 5
Description
Dada represents artistic free-thinking. Man Ray (1890–1976), an American photographer, painter, designer, sculptor, and filmmaker, arrived in Paris in 1921, where he was inspired by the irrationality of Dada and the surreal vision of Surrealism. He created striking images that transform perceptions of reality. This volume features a rich selection of his works from the 1920s and 30s, reproduced on coated stock to preserve their dramatic impact. Ray's innovative techniques included over and underexposure, shooting through fabrics, superimposing images, and focusing on minute details. He embraced the artificiality and strangeness that arose from breaking conventional presentation modes. The photographs are organized into five categories: general subjects (still lifes, landscapes, etc.), female figures (mainly nudes), women's faces (including Gertrude Stein), celebrity portraits (Ray, Dalí, Picasso, and others), and rayographs, which are "cameraless" compositions. Ray's photographs challenge conventional aesthetics and remain significant in the art world.