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Kunsthistorisches Museum

History, Architecture, Decoration

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  • 264pages
  • 10 heures de lecture

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The magnificent building on Viennas Ringstrasse which was opened in 1891 is at once one of the most important examples of museum architecture in Europe and an outstanding document of the Habsburg dynastys imperial self-representation. This new monograph on the history, architecture and decoration of Kunsthistorisches Museum presents the buildings wealth of painted, sculptural and architectonic decoration vividly and with methodic attention to detail. The work includes a brief review of the historical development of museums, construction of the Ringstrasse from 1857, and plans for the Kaiserforum or Imperial Forum. It is also recounts the story of the stormy relationship between the architects Gottfried Semper and Carl von Hasenauer in their quest for a common artistic statement. Extraordinary and, in large part, new photographic material makes the book an excellent practical guide and equally allows the armchair visitor to experience the museum in all its splendour.

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Kunsthistorisches Museum, Ccilia Bischoff

Langue
Année de publication
2011
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Titre
Kunsthistorisches Museum
Sous-titre
History, Architecture, Decoration
Langue
Anglais
Publié
2011
Format
rigide
Pages
264
ISBN10
3854971877
ISBN13
9783854971870
Séries
Évaluation
4 sur 5
Description
The magnificent building on Viennas Ringstrasse which was opened in 1891 is at once one of the most important examples of museum architecture in Europe and an outstanding document of the Habsburg dynastys imperial self-representation. This new monograph on the history, architecture and decoration of Kunsthistorisches Museum presents the buildings wealth of painted, sculptural and architectonic decoration vividly and with methodic attention to detail. The work includes a brief review of the historical development of museums, construction of the Ringstrasse from 1857, and plans for the Kaiserforum or Imperial Forum. It is also recounts the story of the stormy relationship between the architects Gottfried Semper and Carl von Hasenauer in their quest for a common artistic statement. Extraordinary and, in large part, new photographic material makes the book an excellent practical guide and equally allows the armchair visitor to experience the museum in all its splendour.