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Dark Alchemy

The Films of Jan Švankmajer

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Czech animator Jan Svankmajer is a distinctive and influential filmmaker, closely associated with the Prague Surrealist Group and a rich avant-garde tradition. His uncompromising moral stance often led to tensions with authorities during the normalization years after the 1968 Soviet invasion of Czechoslovakia. Influenced by pre-war surrealists, the Prague of Rudolf II, experimental theatre, folk puppetry, and the political traumas of the past 50 years, Svankmajer shares dominant life experiences with contemporaries like playwright Vaclav Havel and novelist Milan Kundera. His work reflects the realities of Stalinism, from the state terror of the 1950s to the neo-Stalinism of the 1970s and 1980s. After training in puppetry and working in Prague theatre, he made his first film in 1964, with notable works in the 1960s such as "Byt" ("The Flat," 1968) and "Zahrada" ("The Garden," 1968). His international reputation grew with "Moznosti dialogu" ("Dimensions of Dialogue," 1982). Continuing his poetic and visual approach, he created feature-length films like "Neco z Alenky" ("Alice," 1987) and "Lekce Faust" ("Faust," 1994). Svankmajer's films explore themes of power, fear, anxiety, and the absurd, challenging accepted narratives and mainstream conventions with a dynamic, subversive style.

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Dark Alchemy, Peter Hames

Langue
Année de publication
1995
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(souple)
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Titre
Dark Alchemy
Sous-titre
The Films of Jan Švankmajer
Langue
Anglais
Éditeur
Praeger
Publié
1995
Format
souple
Pages
223
ISBN10
0275952991
ISBN13
9780275952990
Séries
Évaluation
4,2 sur 5
Description
Czech animator Jan Svankmajer is a distinctive and influential filmmaker, closely associated with the Prague Surrealist Group and a rich avant-garde tradition. His uncompromising moral stance often led to tensions with authorities during the normalization years after the 1968 Soviet invasion of Czechoslovakia. Influenced by pre-war surrealists, the Prague of Rudolf II, experimental theatre, folk puppetry, and the political traumas of the past 50 years, Svankmajer shares dominant life experiences with contemporaries like playwright Vaclav Havel and novelist Milan Kundera. His work reflects the realities of Stalinism, from the state terror of the 1950s to the neo-Stalinism of the 1970s and 1980s. After training in puppetry and working in Prague theatre, he made his first film in 1964, with notable works in the 1960s such as "Byt" ("The Flat," 1968) and "Zahrada" ("The Garden," 1968). His international reputation grew with "Moznosti dialogu" ("Dimensions of Dialogue," 1982). Continuing his poetic and visual approach, he created feature-length films like "Neco z Alenky" ("Alice," 1987) and "Lekce Faust" ("Faust," 1994). Svankmajer's films explore themes of power, fear, anxiety, and the absurd, challenging accepted narratives and mainstream conventions with a dynamic, subversive style.