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Othello

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  • 425pages
  • 15 heures de lecture

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In a period of ten years, Shakespeare wrote a series of tragedies that established him, by universal consent, in the front rank of the worlds dramatists. Critics have praised either Hamlet or King Lear as the greatest of these; Ernst Honigmann, in the most significant edition of the play for a generation, asks: why not Othello? The third of the mature tragedies, it contains, as Honigmann persuasively demonstrates, perhaps the best plot, two of Shakespeares most original characters, the most powerful scene in any of the plays and poetry second to none. Honigmanns cogent and closely argued introduction outlines the reasons both for a reluctance to recognize the greatness of Othello and for the case against the play. This edition sheds new light on the text of the play as we have come to know it, and on our knowledge of its early history. Honigmann examines the major critical issues, the play in performance and the relationship between reading it and seeing it. He also explores topics such as its date, sources and the conundrum of double time. 'Honigmann's extensive knowledge illuminates this play at every turn, making this the best edition of Othello now available.' Brian Vickers, Review of English Studies

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Titre
Othello
Langue
Anglais
Publié
2001
Format
souple
Pages
425
ISBN10
1903436451
ISBN13
9781903436455
Séries
Première publication
1605
Titre original
The Tragedy of Othello
Évaluation
4 sur 5
Description
In a period of ten years, Shakespeare wrote a series of tragedies that established him, by universal consent, in the front rank of the worlds dramatists. Critics have praised either Hamlet or King Lear as the greatest of these; Ernst Honigmann, in the most significant edition of the play for a generation, asks: why not Othello? The third of the mature tragedies, it contains, as Honigmann persuasively demonstrates, perhaps the best plot, two of Shakespeares most original characters, the most powerful scene in any of the plays and poetry second to none. Honigmanns cogent and closely argued introduction outlines the reasons both for a reluctance to recognize the greatness of Othello and for the case against the play. This edition sheds new light on the text of the play as we have come to know it, and on our knowledge of its early history. Honigmann examines the major critical issues, the play in performance and the relationship between reading it and seeing it. He also explores topics such as its date, sources and the conundrum of double time. 'Honigmann's extensive knowledge illuminates this play at every turn, making this the best edition of Othello now available.' Brian Vickers, Review of English Studies