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In the 2016 Shotgun Players production of Hamlet, seven actors learned all the roles. Each night, in front of the audience, they drew from Yorick's skull the characters they would play, then had five minutes to get ready before show time. This book explores what eventually emerged as the production's true subjects: failure, expectation, possibility, and democracy. In these pages, the production's director, actors, designers, and audience explore the wide ranging implications of these subjects both in and out of theatre. How might a critical consideration of creative experiences with failure expand our expectations of what is possible in our democratic societies?
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Playing HAMLET Roulette: Failure, Expectation, Possibility & Democracy, Mark Jackson
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- Année de publication
- 2017
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