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This Insubstantial Pageant

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  • 36pages
  • 2 heures de lecture

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In her new chapbook, poet Estha Weiner observes life through a theatrical lens, echoing the sentiment that "all the world's a stage." Weiner expertly navigates both stage and poem, revealing the thin veil between the "real" and the "insubstantial." She presents a vibrant cast of characters, from a backyard chef reminiscent of Bourdain to street vendors and buskers, all infused with affection. Her poignant reflections on her parents remind us of the advice against being overly theatrical: "You with the drama, enough already!" Thankfully, Weiner disregards this caution, leaving us eager for more. The collection captures a moment that feels both menacing and ludicrous, inviting readers into her witty and compassionate world. Weiner finds performers and audiences everywhere—from avant-garde venues to urban rooftops, subway rides to intimate family moments. When life intersects with art, as in a theater performance interrupted by a Nazi shout, the phrase "free Shakespeare" takes on new significance. Raised on films, she suggests we all rehearse for that "starry starry day." Her work reflects a life lived fully, exploring the theater of the mind and the body's theatrical impulses. Invoking film, theater, and the art of acting, Weiner delves into the pageantry of life, using her wit and musicality to highlight the tension between private desires and public personas.

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This Insubstantial Pageant, Estha Weiner

Langue
Année de publication
2022
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(souple)
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Titre
This Insubstantial Pageant
Langue
Anglais
Format
souple
Pages
36
ISBN13
9781956782257
Séries
Mots clés
Fiction, Poésie
Évaluation
5 sur 5
Description
In her new chapbook, poet Estha Weiner observes life through a theatrical lens, echoing the sentiment that "all the world's a stage." Weiner expertly navigates both stage and poem, revealing the thin veil between the "real" and the "insubstantial." She presents a vibrant cast of characters, from a backyard chef reminiscent of Bourdain to street vendors and buskers, all infused with affection. Her poignant reflections on her parents remind us of the advice against being overly theatrical: "You with the drama, enough already!" Thankfully, Weiner disregards this caution, leaving us eager for more. The collection captures a moment that feels both menacing and ludicrous, inviting readers into her witty and compassionate world. Weiner finds performers and audiences everywhere—from avant-garde venues to urban rooftops, subway rides to intimate family moments. When life intersects with art, as in a theater performance interrupted by a Nazi shout, the phrase "free Shakespeare" takes on new significance. Raised on films, she suggests we all rehearse for that "starry starry day." Her work reflects a life lived fully, exploring the theater of the mind and the body's theatrical impulses. Invoking film, theater, and the art of acting, Weiner delves into the pageantry of life, using her wit and musicality to highlight the tension between private desires and public personas.