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The exploration of the Gothic in cinema reveals how filmmakers utilize eerie settings to reflect societal fears. Lisa Hopkins analyzes notable adaptations such as Zeffirelli's Jane Eyre and Coppola's Dracula, uncovering unexpected insights. In a standout chapter, she argues that the true horror in children's films like Harry Potter stems from familial relationships rather than fantastical creatures. This study delves into the intersection of Gothic themes and contemporary film, offering fresh perspectives on familiar narratives.
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Screening the Gothic, Lisa Hopkins
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- Année de publication
- 2005
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