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Alois Riegl's contributions to art history are explored through Margaret Iversen's comprehensive introduction, highlighting his philosophical approach and critical insights. Iversen contextualizes Riegl within the cultural currents of his time, emphasizing his influence on thinkers like Walter Benjamin and his critique of the sub-Semperians. She examines Riegl's innovative theories, particularly regarding the spectator's role in art, and critiques his significant works. The analysis also addresses the impact of Riegl's ideas on contemporary art theory, contrasting them with the views of Erwin Panofsky.
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Alois Riegl, Margaret Iversen
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- Année de publication
- 2003
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