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Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction

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  • 240pages
  • 9 heures de lecture

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The book explores how postwar abstract modernist paintings are perceived as representations of masculine identity. It delves into the critical discourse surrounding influential artists such as Matisse, de Kooning, Pollock, and the post-painterly Abstractionists, analyzing the cultural and artistic implications of their work. Through this examination, the text uncovers the intersection of art and gender, revealing how these paintings reflect broader societal notions of selfhood and masculinity.

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Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction, Marcia Brennan

Langue
Année de publication
2004
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Titre
Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction
Langue
Anglais
Éditeur
MIT Press
Publié
2004
Format
rigide
Pages
240
ISBN13
9780262025713
Séries
Description
The book explores how postwar abstract modernist paintings are perceived as representations of masculine identity. It delves into the critical discourse surrounding influential artists such as Matisse, de Kooning, Pollock, and the post-painterly Abstractionists, analyzing the cultural and artistic implications of their work. Through this examination, the text uncovers the intersection of art and gender, revealing how these paintings reflect broader societal notions of selfhood and masculinity.