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Heavy Water and Other Stories

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Martin Amis's short stories make his novels look prim, They are also more frankly satirical. Whole worlds are created - or inverted. In 'Straight Fiction', everyone is gay (apart from the beleaguered 'straight' community); in 'Career Moves', screenplay writers submit their works to little magazines, while poets are flown first-class to Los Angeles; in 'The Janitor on Mars', a sardonic robot gives us some strange news about life in the solar system. Largely absent in the novels, the middle classes get a showing in 'Let Me Count the Times', where a man has a mad affair with himself. 'Heavy Water' portrays the exhaustion of working-class culture, 'State of England' its weird resuscitation. And in 'The Coincidence of the Arts' an English baronet becomes entangled with an African-American chess hustler. The earliest story, 'Denton's Death', was first published in 1975, but the bulk of the collection can be firmly labelled 'most recent work'.

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Heavy Water and Other Stories, Martin Amis

Langue
Année de publication
1999
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(souple)
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3,2
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Langue
Anglais
Éditeur
Vintage
Publié
1999
Format
souple
ISBN10
0099288664
ISBN13
9780099288664
Séries
Évaluation
3,2 sur 5
Description
Martin Amis's short stories make his novels look prim, They are also more frankly satirical. Whole worlds are created - or inverted. In 'Straight Fiction', everyone is gay (apart from the beleaguered 'straight' community); in 'Career Moves', screenplay writers submit their works to little magazines, while poets are flown first-class to Los Angeles; in 'The Janitor on Mars', a sardonic robot gives us some strange news about life in the solar system. Largely absent in the novels, the middle classes get a showing in 'Let Me Count the Times', where a man has a mad affair with himself. 'Heavy Water' portrays the exhaustion of working-class culture, 'State of England' its weird resuscitation. And in 'The Coincidence of the Arts' an English baronet becomes entangled with an African-American chess hustler. The earliest story, 'Denton's Death', was first published in 1975, but the bulk of the collection can be firmly labelled 'most recent work'.