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- 246pages
- 9 heures de lecture
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Exploring the intricate dynamics between cinema and the spectator, this revised edition delves into film theory's evolution, highlighting how each theory envisions an ideal viewer. The authors present seven configurations of spectator-screen interactions, ranging from external to internal relationships. They trace the development of film theory from its origins to contemporary perspectives, including neo-realist, modernist, psychoanalytic, and phenomenological approaches, while also addressing intersections with philosophy and neurology.
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Film Theory, Thomas Elsaesser, Malte Hagener
- Langue
- Année de publication
- 2015
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- (rigide)
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- Titre
- Film Theory
- Sous-titre
- An Introduction through the Senses
- Langue
- Anglais
- Auteurs
- Thomas Elsaesser, Malte Hagener
- Éditeur
- Routledge
- Publié
- 2015
- Format
- rigide
- Pages
- 246
- ISBN13
- 9781138824294
- Séries
- Mots clés
- Nonfiction, Art / Culture, Sciences sociales, Thèmes psychologiques, Thématique philosophique, Art, Philosophie, Psychologie, Thématique cinématographique, Cinéma, Théories scientifiques, D'après un film/série
- Évaluation
- 3,9 sur 5
- Description
- Exploring the intricate dynamics between cinema and the spectator, this revised edition delves into film theory's evolution, highlighting how each theory envisions an ideal viewer. The authors present seven configurations of spectator-screen interactions, ranging from external to internal relationships. They trace the development of film theory from its origins to contemporary perspectives, including neo-realist, modernist, psychoanalytic, and phenomenological approaches, while also addressing intersections with philosophy and neurology.