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The seminar paper explores the moral paradox in Soyinka's play through the lens of syncretic theatre, emphasizing how it reflects Yoruba psychology. By analyzing cultural texts and dramatic devices, the author highlights the play's ability to evoke empathy for Yoruba culture, particularly in relation to practices that may seem barbaric to European audiences. The study positions "Death and the King’s Horseman" as a quintessential example of syncretic theatre, illustrating how its unique elements contribute to the creation of a moral dilemma within the narrative.
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Soyinkas Postcolonial Drama "Death and the Kings Horseman" as a Syncretic Theatrical Text. The Establishment of a Moral Paradox, anonym
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- Année de publication
- 2021
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