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Protest Music in France

Production, Identity and Audiences

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  • 208pages
  • 8 heures de lecture

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Exploring the evolution of protest music in France since 1981, the book delves into the contradictions faced by artists who transition from serious political commitment to mainstream success. It examines the dynamics of music production, the representation of protest identity against national identity discourses, and the role of audiences. Additionally, it highlights festivals as venues for negotiating non-mainstream identities, providing a comprehensive view of how protest music interacts with cultural and societal themes in contemporary France.

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Protest Music in France, Barbara Lebrun

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Année de publication
2016
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