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Conceived during the mid-1960s, against the backdrop of sexual liberation and the rise of avant-garde design, dinh van revolutionized the conventions of fine jewelry. Instead of precious gem-encrusted pieces to be worn only on special occasions, dinh van designs sculptural jewelry to be worn as an everyday accessory, almost like a talisman. Playing with positive and negative space, combining geometric forms, and elevating symbols such as Chinese Pi discs and handcuffs, Dinh Van's iconoclastic pieces reinvented the relationship between the body and jewelry, and established a unisex approach to adornment. Today the designer's spirit in more relevant that ever, as the maison dinh van celebrate minimalist simplicity married to straightfoward boldness.
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Dinh Van, Collectif d'auteurs
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- 2015
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