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Music and Embodied Cognition

Listening, Moving, Feeling, and Thinking

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  • 296pages
  • 11 heures de lecture

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Arnie Cox explores the intricate connections between embodiment, emotion, metaphor, and musical experience in his academic work. As an Associate Professor at Oberlin College Conservatory of Music, he delves into topics such as music and gesture, the impact of embodiment on music analysis, and the essence of musical subjectivities. His expertise has led him to present at various universities and venues, contributing significantly to the understanding of how physicality influences musical perception and interpretation.

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Music and Embodied Cognition, Arnie Cox

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Année de publication
2016
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