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In science fiction films, we venture into distant universes and utilize unknown technologies, leaving our familiar world behind. Despite the impressive technical advancements, protagonists often seek a superior entity, a creator, or a lost paradise. This reflects humanity's ongoing quest for knowledge and understanding of the unknown. Key questions persist: What is our place in relation to the undiscovered universe? Will we soon unravel the mysteries that have long intrigued both scientists and spiritual seekers? What ethical dilemmas might arise from such progress? Could we become creators ourselves, manipulating genetic codes through synthetic biology? The interplay between science fiction and religion is rich and multifaceted. The thematic section of this issue presents diverse perspectives on this interaction. Joel Mayward examines "parabolic transcendence" in Shane Carruth’s Primer and Upstream Colors. James Lorenz interprets Andrei Tarkovsky’s Stalker, focusing on its genre, style, and the journey as a spiritual odyssey infused with trinitarian and christological imagery. Bina Nir delves into the biblical narratives and myths within Christopher Nolan’s Interstellar, highlighting the film's exploration of profound themes.
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Science Fiction and Religion, Elie Yazbek
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- Année de publication
- 2020
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