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Clowning and Authorship in Early Modern Theatre

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  • 297pages
  • 11 heures de lecture

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Richard Preiss presents a lively and provocative study of how the early modern stage clown defined - and changed - theatrical experience. Recovering the interactive entertainments with which comedians including Richard Tarlton, Will Kemp and Robert Armin engaged audiences, he draws new conclusions about how early modern theatre negotiated its own textuality.

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Clowning and Authorship in Early Modern Theatre, Harvey S. Moskowitz, Carl G. Lindbloom, David Listokin, Richard Preiss, Dwight Merriam

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Année de publication
2022
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Titre
Clowning and Authorship in Early Modern Theatre
Langue
Anglais
Publié
2022
Format
souple
Pages
297
ISBN10
1108438776
ISBN13
9781108438773
Séries
Évaluation
3,75 sur 5
Description
Richard Preiss presents a lively and provocative study of how the early modern stage clown defined - and changed - theatrical experience. Recovering the interactive entertainments with which comedians including Richard Tarlton, Will Kemp and Robert Armin engaged audiences, he draws new conclusions about how early modern theatre negotiated its own textuality.