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- 166pages
- 6 heures de lecture
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Paintings of a Sensual Immediacy As artists, they were self-taught and created a cosmos of images that still captivates us today with its sensual immediacy and has made a lasting mark in art history on the work of non-academically trained artists: Henri Rousseau (1844-1910), Camille Bombois (1883-1970), André Bauchant (1873-1958), Louis Vivin (1861-1939) and Séraphine Louis (1864-1942). They are counted among the so-called circle of the "painters of the sacred heart"; their scenarios, often borrowed from nature, especially flowers and fruits, but also people in parks and landscapes, indicate a closeness to nature, a sensitive approach to the things of the immediate environment, with which they apparently sought to escape the coldness of uprising modernism. These French pioneers of authentic art were discovered by the German art historian Wilhelm Uhde (1874-1947), who organized their first joint exhibition in Paris in 1928.
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Die Maler des Heiligen Herzens / The Painters of the Sacred Heart, Udo Kittelmann
- Langue
- Année de publication
- 2022
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- (rigide)
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- Titre
- Die Maler des Heiligen Herzens / The Painters of the Sacred Heart
- Sous-titre
- André Bauchant, Camille Bombois, Séraphine Louis, Henri Rousseau, Louis Vivin
- Langue
- Anglais, Allemand
- Auteurs
- Udo Kittelmann
- Éditeur
- Hatje Cantz
- Publié
- 2022
- Format
- rigide
- Pages
- 166
- ISBN10
- 3775753397
- ISBN13
- 9783775753395
- Séries
- Description
- Paintings of a Sensual Immediacy As artists, they were self-taught and created a cosmos of images that still captivates us today with its sensual immediacy and has made a lasting mark in art history on the work of non-academically trained artists: Henri Rousseau (1844-1910), Camille Bombois (1883-1970), André Bauchant (1873-1958), Louis Vivin (1861-1939) and Séraphine Louis (1864-1942). They are counted among the so-called circle of the "painters of the sacred heart"; their scenarios, often borrowed from nature, especially flowers and fruits, but also people in parks and landscapes, indicate a closeness to nature, a sensitive approach to the things of the immediate environment, with which they apparently sought to escape the coldness of uprising modernism. These French pioneers of authentic art were discovered by the German art historian Wilhelm Uhde (1874-1947), who organized their first joint exhibition in Paris in 1928.