Séries
Paramètres
- 1090pages
- 39 heures de lecture
En savoir plus sur le livre
In the eleventh century Murasaki Shikibu, a lady in the Heian court of Japan, wrote the world's first novel. But The Tale of Genji is no mere artifact. It is, rather, a lively and astonishingly nuanced portrait of a refined society where every dalliance is an act of political consequence, a play of characters whose inner lives are as rich and changeable as those imagined by Proust. Chief of these is "the shining Genji," the son of the emperor and a man whose passionate impulses create great turmoil in his world and very nearly destroy him. This edition, recognized as the finest version in English, contains a dozen chapters from early in the book, carefully chosen by the translator, Edward G. Seidensticker, with an introduction explaining the selection. It is illustrated throughout with woodcuts from a seventeenth-century edition.
Achat du livre
The Tale of Genji, Murasaki Šikibu
- Langue
- Année de publication
- 1976
- product-detail.submit-box.info.binding
- (souple)
Modes de paiement
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- Titre
- The Tale of Genji
- Langue
- Anglais
- Auteurs
- Murasaki Šikibu
- Éditeur
- Penguin
- Publié
- 1976
- Format
- souple
- Pages
- 1090
- ISBN10
- 0140443908
- ISBN13
- 9780140443905
- Séries
- Le Dit du Genji
- Mots clés
- Fiction, Romans historiques, Classiques, Japon, Littérature japonaise
- Évaluation
- 3,7 sur 5
- Description
- In the eleventh century Murasaki Shikibu, a lady in the Heian court of Japan, wrote the world's first novel. But The Tale of Genji is no mere artifact. It is, rather, a lively and astonishingly nuanced portrait of a refined society where every dalliance is an act of political consequence, a play of characters whose inner lives are as rich and changeable as those imagined by Proust. Chief of these is "the shining Genji," the son of the emperor and a man whose passionate impulses create great turmoil in his world and very nearly destroy him. This edition, recognized as the finest version in English, contains a dozen chapters from early in the book, carefully chosen by the translator, Edward G. Seidensticker, with an introduction explaining the selection. It is illustrated throughout with woodcuts from a seventeenth-century edition.