Wirtschaftswunder. Deutschland nach dem Krieg 1952-1967. Germany after the war. L'Allemagne après la guerre
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Germany after the war 1952 - 1967. It was no more than eight years after the surrender of the Nazi government when Josef Heinrich Darchinger set out on his photographic journey through the West of a divided Germany. The bombs of World War II had reduced the country's major cities to deserts of rubble. Yet his pictures show scarcely any signs of the downfall of a civilization. Not that the photographer was manipulating the evidence: he simply recorded what he saw. At the time, a New York travel agency was advertising the last opportunity to go and visit the remaining bomb sites. Darchinger's pictures, in color and black-and-white, show a country in a fever of reconstruction. The economic boom was so incredible that the whole world spoke of an "economic miracle." The people who achieved it, in contrast, look down-to-earth, unassuming, conscientious, and diligent. And increasingly, they look like strangers in the world they have created.
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Wirtschaftswunder. Deutschland nach dem Krieg 1952-1967. Germany after the war. L'Allemagne après la guerre, J. H. Jupp H. Darchinger
- Langue
- Année de publication
- 2008
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- (rigide)
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- Titre
- Wirtschaftswunder. Deutschland nach dem Krieg 1952-1967. Germany after the war. L'Allemagne après la guerre
- Langue
- Anglais, Allemand, Français
- Auteurs
- J. H. Jupp H. Darchinger
- Éditeur
- Taschen
- Publié
- 2008
- Format
- rigide
- ISBN10
- 3836500191
- ISBN13
- 9783836500197
- Séries
- Mots clés
- Nonfiction, Art / Culture, Thème historique, Histoire, Photographie
- Évaluation
- 4,4 sur 5
- Description
- Germany after the war 1952 - 1967. It was no more than eight years after the surrender of the Nazi government when Josef Heinrich Darchinger set out on his photographic journey through the West of a divided Germany. The bombs of World War II had reduced the country's major cities to deserts of rubble. Yet his pictures show scarcely any signs of the downfall of a civilization. Not that the photographer was manipulating the evidence: he simply recorded what he saw. At the time, a New York travel agency was advertising the last opportunity to go and visit the remaining bomb sites. Darchinger's pictures, in color and black-and-white, show a country in a fever of reconstruction. The economic boom was so incredible that the whole world spoke of an "economic miracle." The people who achieved it, in contrast, look down-to-earth, unassuming, conscientious, and diligent. And increasingly, they look like strangers in the world they have created.