Séries
Paramètres
- 288pages
- 11 heures de lecture
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A witty yet moving narrative worked up from sketched biographical fragments, 1913 is an intimate vision of a world that is about to change forever.The stuffy conventions of the nineteenth century are receding into the past, and 1913 heralds a new age of unlimited possibility. Kafka falls in love; Louis Armstrong learns to play the trumpet; a young seamstress called Coco Chanel opens her first boutique; Charlie Chaplin signs his first movie contract; and new drugs like cocaine usher in an age of decadence.Yet everywhere there is the premonition of ruin - the number 13 is omnipresent, and in London, Paris and Vienna, artists take the omen and act as if there were no tomorrow. In a Munich hotel lobby, Rilke and Freud discuss beauty and transience; Proust sets out in search of lost time; and while Stravinsky celebrates the Rite of Spring with industrial cacophony, an Austrian postcard painter by the name of Adolf Hitler sells his conventional cityscapes.
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1913, Florian Illies
- Langue
- Année de publication
- 2014
- product-detail.submit-box.info.binding
- (souple)
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- Titre
- 1913
- Sous-titre
- The Year Before the Storm
- Langue
- Anglais
- Auteurs
- Florian Illies
- Éditeur
- The Clerkenwell Press
- Publié
- 2014
- Format
- souple
- Pages
- 288
- ISBN10
- 1846689619
- ISBN13
- 9781846689611
- Séries
- 1913
- Mots clés
- Nonfiction, Art / Culture, Sciences sociales, Thème historique, Histoire, Sciences politiques & Politique, Art, Politique, Littérature allemande, Histoire militaire, Allemagne, Guerres, Cadeaux pour papy, Cadeaux pour les dames, 19e siècle, Berlin, Culture, Histoires culturelles, Paris (ville), Vienne, Artistes, Pablo Picasso, Littérature d'Europe centrale, Année 1913
- Première publication
- 2012
- Titre original
- 1913: Der Sommer des Jahrhunderts
- Évaluation
- 3,95 sur 5
- Description
- A witty yet moving narrative worked up from sketched biographical fragments, 1913 is an intimate vision of a world that is about to change forever.The stuffy conventions of the nineteenth century are receding into the past, and 1913 heralds a new age of unlimited possibility. Kafka falls in love; Louis Armstrong learns to play the trumpet; a young seamstress called Coco Chanel opens her first boutique; Charlie Chaplin signs his first movie contract; and new drugs like cocaine usher in an age of decadence.Yet everywhere there is the premonition of ruin - the number 13 is omnipresent, and in London, Paris and Vienna, artists take the omen and act as if there were no tomorrow. In a Munich hotel lobby, Rilke and Freud discuss beauty and transience; Proust sets out in search of lost time; and while Stravinsky celebrates the Rite of Spring with industrial cacophony, an Austrian postcard painter by the name of Adolf Hitler sells his conventional cityscapes.