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A heart-wrenching thriller that explores the nature of love, and the evil that threatens it. Easter Quillby: Wade disappeared on us when I was six, and I never saw him again until I turned twelve, after Mom was buried. She always said he was a loser, even if he was our dad, but it turns out he was much more than that. He was also a thief. Like he was on the day he stole me and my little sister. Bobby Pruitt: Wade took everything. My career. My health. My freedom. He screwed me and then he put me in jail. But now Iâe(tm)m out and Iâe(tm)ve got a new reason to find him. Because Wade made a big mistake, and now someone wants him dead. And thatâe(tm)s where I come in . . .
Achat du livre
This Dark Road to Mercy. Schaut nicht zurück, englische Ausgabe, Wiley Cash
- Langue
- Année de publication
- 2015
- product-detail.submit-box.info.binding
- (souple)
Modes de paiement
Il manque plus que ton avis ici.
- Langue
- Anglais
- Auteurs
- Wiley Cash
- Éditeur
- Random House UK
- Publié
- 2015
- Format
- souple
- Pages
- 304
- ISBN10
- 0552778214
- ISBN13
- 9780552778213
- Séries
- Mots clés
- Fiction, Polars & Thrillers, Amour, Thriller, Suspense, États-Unis, Relations, Polars classiques, Souvenirs, Monnaie, Enquête criminelle, Enlèvements, Relations familiales, Lettres, Sœurs, Père, Sud des États-Unis, Persécution, Baseball, Caroline du Nord
- Évaluation
- 3,75 sur 5
- Description
- A heart-wrenching thriller that explores the nature of love, and the evil that threatens it. Easter Quillby: Wade disappeared on us when I was six, and I never saw him again until I turned twelve, after Mom was buried. She always said he was a loser, even if he was our dad, but it turns out he was much more than that. He was also a thief. Like he was on the day he stole me and my little sister. Bobby Pruitt: Wade took everything. My career. My health. My freedom. He screwed me and then he put me in jail. But now Iâe(tm)m out and Iâe(tm)ve got a new reason to find him. Because Wade made a big mistake, and now someone wants him dead. And thatâe(tm)s where I come in . . .





