Hof- und Kirchenmusik in der Barockzeit

Auteurs

• Friedhelm Brusniak

Paramètres

• Manuels
• Manuels universitaires

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This collection explores various aspects of music relationships and influences in the 18th century, particularly between Germany and Scandinavia. It includes analyses of Swedish musical influences on Joachim Christoph Nemeitz and the reception of Gluck in Stockholm and Berlin. The discussion extends to Nathan Söderblom's understanding of Bach, considering Bach as a "fifth Gospel" and the interplay between court and church music during this period. The contributions delve into the specifics of court and church music in Mannheim under Carl Theodor, as well as dramatic representations of mourning songs in the Baroque era, which foreshadow modern bibliodrama. Additionally, the annotation addresses the theological implications of Johann Anastasius Freylinghausen's 'Geistreiche Gesangbuch' and Telemann's cantatas, particularly focusing on the 10th Sunday after Trinity. It also examines Bach’s Cantata 46 and the conventions and innovations within it. The works of Philipp Nicolai are highlighted, including his spiritual songs and their connection to courtly acrostic traditions, alongside his interpretations of biblical parables in relation to Bach. The collection concludes with a reflection on the beauty of Bach's compositions, particularly his cantata "Wie schön leuchtet der Morgenstern" BWV 1, emphasizing the enduring impact of these musical legacies.

Achat du livre

• Année de publication: 1999
• Reliure: (souple)