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I. Hernandez and D. Sosnicka introduce a collection of essays celebrating Beatrice Sandberg's 75th anniversary, featuring selected publications by Sandberg. G. Späth discusses a reading with music in Luxembourg, while C. Haller explores autobiographical writing. A. Fattori analyzes Robert Walser’s microgram poem “Schimmernde Inselchen im Meer” alongside Pieter Brueghel the Elder’s “Ikarussturz” painting. K. Gräfin von Schwerin reflects on Walser's “Cezannegedanken.” I. Hernandez delves into Cécile Ines Loos' “Hinter dem Mond,” noting its elusive narrative. D. Annen examines the resurrection of fool dancers in Meinrad Inglin's works. O. Marti-Pena addresses identity issues in Max Frisch's novels “Stiller,” “Homo Faber,” and “Montauk.” V. Kondric Horvat discusses themes of flight and migration in Erica Pedretti's “Veränderung oder Die Zertrümmerung von dem Kind Karl und anderen Personen.” M. Pender presents three autobiographical accounts of cancer in works by Fritz Zorn, Walter Matthias Diggelmann, and Peter Noll. T. Martins de Oliveira reviews Daniel Ganzfried's “Der Absender” as a family saga of post-memory. P. Rusterholz analyzes Hugo Loetscher's narrative style, while J. Jambor connects biographical and intertextual storytelling in Jacobus de Voragine’s “Legenda aurea” and Peter Stamm’s “Agnes.” G. Vilas-Boas examines three biographies in Alain Claude Sulzer’s “Postskriptum,” and J. Barkhoff discusses themes of home in Meli
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Fabulierwelten, Isabel Hernández
- Langue
- Année de publication
- 2017
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