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Kirsten WECHSEL introduces the exploration of Strindberg through various media studies. Annegret HEITMANN analyzes "Fordringsägare" in the context of media studies, while Ulf OLSSON discusses communication technology's impact on meaning in Strindberg's works. Anne-Bitt GERECKE examines authorship and textuality amid media transitions, and Annie BOURGUIGNON highlights the poetics of reportage in Strindberg's writing. Anna CAVALLIN focuses on Strindberg's portrayal of new women and media interactions, and Ulrike PETERS addresses collaborative writing in "The Father." Elena BALZAMO looks into Strindberg's relationships with his publishers. In the section on Strindberg on stage, Marianne STREISAND discusses the aesthetics of intimacy realized in Max Reinhardt's productions. Birgitta STEENE explores Ingmar Bergman's interpretations of Strindberg, while Barbara LIDE analyzes self-portrayal in Strindberg's works and adaptations. Egil TÖRNQVIST reflects on "Miss Julie" as a paradigm of stage and text, and Eivor MARTINUS presents Strindberg's indirect influences. Visuality is examined by Göran SÖDERSTRÖM, who discusses Strindberg's connections to Adolf Paul and newly discovered paintings. Grischka PETRI interprets Strindberg's art as a medium of understanding, and Jan BALBIERZ investigates his photographic experiments. Roger MARMUS describes landscape depiction in "Bland franska bönder." Intermediality and intertextuality are explor
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Strindberg and his media, Kirsten Wechsel
- Langue
- Année de publication
- 2003
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