Liliana Sikorska Livres

Travel narratives and historical works shaped the perception of Muslims and the East in the Victorian and post-Victorian periods. The book discusses that troubled legacy drawing on the discourses on Muslims originating in the European Middle Ages, a

This book investigates and interprets various social ideologies in the moralities and interludes, dramatic texts of the late medieval period. Most of the selected plays have not been previously analyzed from the perspective of the linguistic and ideological content. Seen within the larger cultural context, mainly compared with other non-dramatic texts of the period, these texts represent rich sources of those social ideologies whose aim was to create principled individuals and a morally sound, well-functioning society.

This volume, entitled Of what is past, or passing, or to come: Travelling in Time and Space in Literature in English was inspired by the work of the writer, culture historian and mythographer Marina Warner and the professor of comparative literature Cathy Caruth. The lines quoted above are from W. B. Yeats’ Sailing to Byzantium, which are recalled by one of the characters in Marina Warner’s novel In a Dark Wood (1977). The articles included in this volume are devoted to the explorations of individual space and landscape of the mind through analyzing trauma and addressing psychological wounds, and to travels into fairy tales, oriental scenery real and imaginary as well as interrelationships between memory and fiction in non-fictional and fictional discourses.

This volume contains a selection of papers presented at the Medieval English Studies Symposium held in Poznań, Poland, in November 2011. The papers cover a wide range of approaches to the issue of medieval literature, language and art.

Eyes deep with unfathomable histories is a quotation taken from the poem by Pauline Melville entitled «Homeland». This volume was inspired by two areas: the first one was the writings of Pauline Melville, a British novelist, a poet and actress with Wapisiana (South American Indian) ancestry, and the second by Canadian magic realism. The majority of the articles in the collection focus on a variety of aspects of magic realism in contemporary Canadian literature in English, which abounds in texts representative of the mode; but some also approach magic realist texts by British novelists and US playwrights. The authors of the articles come from Europe and North America, and include established scholars, such as Jeanne Delbaere-Garant, who has been writing about developments within magic realism in Canada and beyond for almost thirty years, and Hartmut Lutz, an authority on Canadian Native literatures; as well as promising young scholars. They approach classics of magic realism, such as novels by Jack Hodgins, Robert Kroetsch and Angela Carter, but also more recent texts by Joan Clark, Bernard Assiniwi, Rachel A. Quitsualik, Thomas King, Rawi Hage, Margaret Sweatman, Lilian Nattel, Susanne Swann and Eden Robinson among others.

Empty treasure chests dumped from departed ships is a quotation taken from David Dabydeen’s poem The Old Map in which the hope of a new world is green but green symbolizes also the gangrene of the sailors. Such rather unsavory paradoxes can be found in the works of contemporary (post)postcolonial writers, who engage in a dialogue with literary history while actively re-shaping contemporary culture. Far from seeking easy reconciliations, the contemporary (post)postcolonial writers rewrite the colonial experiences in relation to art and literary works. The theme of this volume are the works by and about David Dabydeen, a Guianese British writer, poet and literary scholar, whose efforts have always been directed toward re-creating the lives forever lost; those of nameless slaves and coolies of the West Indies. His inspiration, in turn were, among others, the paintings of William Hogarth and Joseph Mallord William Turner. Accordingly, the papers collected in this book address the question of (post)colonialism in a contemporary (post)postcolonial reality.

Literature in English is a term that has recently appeared to include both English literature in the traditional sense of the word and all the newly emerging literatures written and published in English whose authors may represent various ethnic and cultural backgrounds. This series as well as our yearly Literature in English Symposium (LIES) organized by the Department of English Literature and Literary Linguistics, the School of English at Adam Mickiewicz University Poznań (Poland), respond to the current interest in wider mapping of English literature. Each year the symposium is devoted to a particular topic linked with the interests of an invited writer, whose presentation we also publish. This volume is devoted to the issue of self-fashioning and self-representation as it is the main area of interest of Andrew Miller.

Papers presented at a symposium organized by the Dept. of English Literature and Literary Linguistics, School of English, Adam Mickiewicz University in Poznaaan.

The continuous interest in medieval literature, history and culture, has resulted in a significant number of works on medievalism. Medievalism, however, has many faces, which range from motifs and themes loosely connected with the Middle Ages, to works set in the period. This book explores all such diverse aspects of medievalism and attempts to show the different ways in which consecutive literary periods appropriated medieval literature and culture.