Lawrence Sondhaus est un historien dont le travail se concentre sur l'histoire militaire. Ses recherches explorent les complexités de la guerre, en examinant ses dimensions stratégiques, politiques et sociales à travers diverses périodes. Sondhaus offre une perspective profondément analytique sur le conflit, en explorant les forces qui façonnent les opérations militaires et leur impact sociétal. Son érudition fournit des aperçus précieux sur l'évolution de la guerre et ses conséquences durables.
This revised and updated interpretation of World War I highlights the revolutionary nature and legacy of the conflict of 1914-1919. It examines the political, economic, social and cultural history of the war at home as well as the war's origins, ending and subsequent legacy.
The transition from wooden sailing fleets to modern steel navies is explored through significant technological advancements such as steam power, armor, artillery, and torpedoes. The book examines how these innovations reshaped naval strategy and tactics, marking a pivotal shift in maritime warfare.
"Seen by Lawrence as his most accomplished book, but subject to the initial prudery and incomprehension that met most of his fiction, Women in Love examines the regenerative and destructive aspects of human passion, as illustrated by its depiction of Ursula and Gudrun Brangwen - who first appeared in The Rainbow - and their relationships with Gerald Crich and Rupert Birkin. Set against the backdrop of a world consuming itself in war, the novel creates an instructive vision of humanity's dance with life and death." "This text is the famous "first" Women in Love, the unexpurgated version preferred by Lawrence himself, which was rejected by every publisher because of the banning of The Rainbow in 1915. More positive in tone than the revised version published in his lifetime, with different central relationships and a radically different ending, it is now viewed by many as Lawrence's masterpiece."--BOOK JACKET.