Alan Sillitoe fut un écrivain anglais dont l'œuvre capturait souvent une représentation brute et sans concession de la vie de la classe ouvrière. Ses récits exploraient les frustrations et les aspirations profondément ancrées d'individus ordinaires naviguant dans les contraintes sociales. La prose de Sillitoe se caractérisait par sa franchise et sa perspicacité psychologique aiguë, offrant une voix à ceux qui étaient souvent négligés. Il reste une figure importante pour sa représentation authentique de la résilience de l'esprit humain et de sa quête de sens.
Dès mon arrivée au Borstal, ils ont fait de moi un coureur de fond en cross. Ça doit être parce qu'ils trouvaient que j'avais la découpure qu'il faut, parce que j'étais grand et musclé pour mon âge (et je le suis toujours). Au fond, pour vous dire le vrai, je ne m'en faisais guère pour ça, parce que, de courir, ça tout le temps été le fort dans notre famille, surtout quand il s'agit de se défiler de la police. Moi, j'ai toujours été bon à la course, avec, à la fois du sprint et de la foulée, mais le seul ennui, c'est que malgré toute ma vitesse, et pour savoir jouer des flûtes, vous pouvez être, sûr que je m'y connais, même si c'est moi qui vous le dis, c'est pas ça qui m'a empêché de me faire piger par les cognes le jour que j'ai fait la boulangerie.
This fusion of novel and memoir from a bestselling British author chronicles the destructive effects of WWI on two working-class families in Nottingham. An advocate for ordinary people, Alan Sillitoe combines family memoir with exhaustive research on military records, and fuses them with artistic speculation in this inventive and political historical novel. Central to the story are the author’s grandfather, the blacksmith Ernest Burton, and his uncle Edgar, a World War I deserter. The launching point for this narrative family album is a legless match-seller from Sillitoe’s childhood who “walked” on the streets of Nottingham with his hands. When the young Sillitoe asked his family about the reasons behind this man’s deformity, he heard a series of different accounts: His mother said it was a train accident, his father claimed it was an explosion during the Battle of the Somme, his grandmother was convinced it was a birth defect, and his grandfather declared it was a way of dodging work. Thus Sillitoe sets the tone for a tale in which “anything which is not scientific or mathematical thought is colored by the human imagination and feeble opinion.” In order to rediscover the fictional truth behind his own spirit, Sillitoe then delves into his heritage. He paints a telling portrait of his maternal grandfather, a blacksmith who hated dogs, despised the people who loved him, and was blinded in one eye by a shred of steel. Separated from society by his illiteracy, and both feared and respected for his instinctual cunning, Ernest was a tyrant to his wife and eight children, a hardworking provider, and a talented craftsman. On his father’s side of the family, Sillitoe explores the life of his uncle Edgar, “the darling of the family” who enlisted in the British army when the Great War began in 1914. However, when the young man discovered that his service consisted of dysentery, haircuts, and taking orders, he “sensibly” deserts. To avoid the military police, he leaves Nottingham and bicycles furiously on the back roads to his sister’s house in Hinkley, but is caught a few days later in a pub and sent back to his battalion. A persistent man, Edgar deserts a second time and hides out in the forest, but again he is captured and sent just in time to join the Sherwood Foresters on the first day of the Battle of the Somme. Raw Material spans a century of family history and legends, interweaving personal memories with collected facts and hearsay. The “kitchen-sink realism” Sillitoe is known for takes on a more philosophical and transparent approach in this innovative self-portrait that explores the base matter and inspirations of the esteemed British novelist’s life work.
Thirty-eight stories on life among the English working classes. They include The Loneliness of the Long Distance Runner, on a rebellious youth in a reformatory, and Mr. Raynor the School Teacher, on a teacher who is a Peeping Tom
Alan Sillitoe is famous as a master of the short story. This book shows why. From the bible-basher and his key rôle in PIT STRIKE, to the boy whose parents left each other – and him – the same morning in ENOCH'S TWO LETTERS; from the man who tried to act out a 'real' life in MIMIC, to the woman whose husband came back to her in BEFORE SNOW COMES – these stories go to the heart of the torments and joys of living.
Birthday is the long-awaited sequel to Alan Sillitoe's classic novel of the 1950s, Saturday Night and Sunday Morning. Four decades on from the novel which was at the forefront of the new wave of British Literature, we re-discover the Seaton brothers: older, cetainly; wiser - possibly not. Arthur and Brian Seaton, one with an ailing wife, one with an emotional knapsack of failure and success, are on their way to Jenny's 70th birthday party. Jenny and Brian had years ago experimented with sex - semi-clothed, stealthy, with the bonus of fear. Arthur, of course, had cut a winning swathe through the married and unmarried women of Nottinghamshire. Life has changed. Alan Sillitoe is undoubtedly one of the greatest English writers of our time, and, indeed, one of the most influential.
A wonderful historical novel from one of our best loved and most prolific writersAs a young man Ernest Burton was a bold and reckless journeyman blacksmith, seducing all young girls he comes across. We watch him grow to become a master Blacksmith, and a tyrannical father of eight who refuses even to try to remain faithful to the woman he married and who reigns over his young family with an iron fist, instilling in his sons and daughters a mixture of fear and hatred of him. Burton is an extraordinary fictional creation a bully who shows no mercy in his relentless terrorism of his sons, he can also be effortlessly charming, with a magnetic attraction that effects all he meets.Written in the sparse, plain language that Sillitoe has made his own, A Man of His Time is a mesmerising portrait of an extraordinary individual, aware that he is, in many ways, the last of a dying breed. It's a rich, absorbing, wonderfully readable novel that covers decades and crosses generations, depicting with singular brilliance an England poised on the brink of change.
From the author of 'Saturday Night and Sunday Morning' come stories of hardship and hope in post-war Britain. The title story in this classic collection tells of Smith, a defiant young rebel, inhabiting the no-man's land of institutionalised Borstal. As his steady jog-trot rhythm transports him over an unrelenting, frost-bitten earth, he wonders why, for whom and for what he is running. A groundbreaking work, 'The Loneliness of the Long Distance Runner' captured the grim isolation of the working class in the English Midlands when it was first published in 1960s. But Sillitoe's depiction of petty crime and deep-seated anger in industrial and desperate cities remains as potent today as it was almost half a century ago.
